And thus it had come to pass that Paolina had played the truant, and
that her protracted absence had led to Signor Fortini's momentary doubt
as to the identity of the corpse he had seen brought into the city.
BOOK V
Who Did the Deed?
CHAPTER I
At the City Gate
Bianca Lalli lay dead at the city gate. Fresh from her triumphs, her
successes, her schemes, her hopes, her frolic, at the full tide of her
fame, and her matchless beauty, the poor Diva was--dead!
How she came by such sudden death there was nothing whatever in her
appearance to tell--scarcely anything to tell that she was dead. In a
quiet composed attitude stretched on her back, she lay in the light
white dress she had put on for her excursion with Ludovico. With the
exception of a broad blue ribbon round the waist, and another which
bound her wealth of auburn hair, her entire dress was white. It was now
scarcely whiter than her face. But there was on the features neither
disorder nor sign of pain.
From a feeling of natural respect for death, and perhaps, also, for the
extreme beauty of the young face in death, the bearers of the body had
covered it with a coarse linen sheet, such as they had chanced to find
to hand. But the duty of the officers of the gate would have required
them to uncover the face, even if Ludovico in the first agony of his
doubt had not already done so. There, amid the pitying throng of rough
men, she lay beneath the sombre old gateway vault. The extraordinary
abundance of her hair fell in great loose tresses, some making rich
contrast with the white dress that covered her shoulders, and some of it
thrown back behind over the door on which the body lay.
A terrible and deadly sickness came over Ludovico, and his face became
almost as white as that of the corpse. His head swam round; and, reeling
back from the sight that met his eyes, he swooned, and would have fallen
to the ground had the lawyer not caught him.
"I suppose," said Fortini, to the men who crowded round the body, while
he paid attention to the Marchesino,--"I suppose that there can be no
doubt that she is dead?"
"She's as dead as the door she lies on," said one of the men who had
helped to carry the body, shaking his head gravely, as he looked
pitifully down on her; "as dead as the door she lies on, more's the
pity, for she looks like one of them that find it good to live,--more's
the pity,--more's the pity."
"Che bella donna! E proprio un viso d'angiolo," said another; "and so
young too. There's some heart somewhere that'll be sore for this."
Public-domain text, read in full here on John Shaqi.
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