those kinds with whatever consistency, intensity and brilliancy. Of our father's perfect gift for practising _his_ kind I shall have more to say; but I meanwhile glance yet again at those felicities of destitution which kept us, collectively, so genially interested in almost nothing but each other and which come over me now as one of the famous blessings in disguise. There were "artists" in the prospect--didn't Mr. Tom Hicks and Mr. Paul Duggan and Mr. C. P. Cranch and Mr. Felix Darley, this last worthy of a wider reputation, capable perhaps even of a finer development, than he attained, more or less haunt our friendly fireside, and give us also the sense of others, landscapist Cropseys and Coles and Kensetts, and bust-producing Iveses and Powerses and Moziers, hovering in an outer circle? There were authors not less, some of them vague and female and in this case, as a rule, glossily ringletted and monumentally breastpinned, but mostly frequent and familiar, after the manner of George Curtis and Parke Godwin and George Ripley and Charles Dana and N. P. Willis and, for brighter lights or those that in our then comparative obscurity almost deceived the morn, Mr. Bryant, Washington Irving and E. A. Poe--the last-named of whom I cite not so much because he was personally present (the extremity of personal absence had just overtaken him) as by reason of that predominant lustre in him which our small opening minds themselves already recognised and which makes me wonder to-day at the legend of the native neglect of him. Was he not even at that time on all lips, had not my brother, promptly master of the subject, beckoned on my lagging mind with a recital of The Gold-Bug and The Pit and the Pendulum?--both of which, however, I was soon enough to read for myself, adding to them The Murders in the Rue Morgue. Were we not also forever mounting on little platforms at our infant schools to "speak" The Raven and Lenore and the verses in which we phrased the heroine as Annabellee?--falling thus into the trap the poet had so recklessly laid for us, as he had laid one for our interminable droning, not less, in the other pieces I have named. So far from misprizing our ill-starred magician we acclaimed him surely at every turn; he lay upon our tables and resounded in our mouths, while we communed to satiety, even for boyish appetites, over the thrill of his choicest pages. Don't I just recognise the ghost of a dim memory of a children's Christmas party at the house of Fourteenth Street neighbours--they come back to me as "the Beans": who and what and whence and whither the kindly Beans?--where I admired over the chimney piece the full-length portrait of a lady seated on the ground in a Turkish dress, with hair flowing loose from a cap which was not as the caps of ladies known to me, and I think with a tambourine, who was somehow identified to my enquiring mind as the wife of the painter of the piece, Mr. Osgood, and the so ministering friend of the unhappy Mr.