"And the little boy left the Court, under the impression that the
magistrate had sentenced him to several years' penal servitude, but
that the gaoler had kindly overlooked the offence and liberated
him."
Of course, this sketch is caricatured in the same way that the
portraits in _Vanity Fair_, are by "Ape" (Mr. Carlo Pelligrini) and
"Spy" (Mr. Leslie Ward).
Sir James Taylor Ingham succeeded to the post of chief magistrate at
Bow Street on the death of Sir Thomas Henry, and was (and still is)
a kind and considerate gentleman. It was the custom of some
magistrates to wear their hats in Court, but I never saw this at Bow
Street. At other Courts I have seen magistrates wear their hats; and
one in particular I have seen walk about the bench with his hat on
and his hands in his pockets, and never even remove it when a
respectably-dressed woman was making an application to, or giving
evidence before, him. If it were compulsory to keep the head
covered, as when the judge assumes the black cap, one could
understand it. But it is not compulsory, and there is no excuse for
it, any more than there is for the young masher swaggering up a
public dining-room where ladies are seated around dining, without
having the common decency to remove his hat.
In 1877, when I appeared at the Opera Comique, I retired from the
work; but resumed it again in 1880, when my father died, having for
my right-hand man Mr. Cleverley, whom my father had engaged to
assist him. I retired eventually in favour of Mr. Cleverley, who is
now _The Times_ reporter; and if I possibly can help it, I will
never give him a chance of "showing me up."
CHAPTER IV.
From Amateur to Professional.
"I once was a dab at Penny Readings."--_Ruddygore_.
"What first put it into your head to give entertainments?" is a
question I have been asked hundreds of times, and my reply has
always been, "I'm sure I do not know." Nor do I know to this day. I
used to play the piano very well at the age of twelve. What was
considered "very well" for a boy twenty-eight years ago, no doubt
would be considered execrable in these days of Hoffmanns and
Hegners. I remember, when I played, ladies used to say, "How odd it
seems to see a boy playing." It was thought effeminate to play the
piano.
Besides playing from music, I also played a good deal by ear, which
was considered demoralising, and still _is_ by those who know
nothing about it. Playing correctly by ear is a gift that should be
encouraged. I was delighted one afternoon recently, when calling
upon Mrs. Kendal, the well-known actress, to see her little boy, of
about ten or eleven, sit down at the grand piano and play off by
ear, perfectly correctly, "Le revenant de la revue" and one of my
own songs. It is a gift delightful to the one fortunately endowed
with it; and it does not follow that one should not also play
correctly from music.
Public-domain text, read in full here on John Shaqi.
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