One night, however, a splendid opportunity presented itself. It was
some place in the Midland Counties, and an Alderman, whom we will
call Juggins, had got into terrible hot water through proposing to
have removed from the middle of the main thoroughfare an old stone
pump. The local papers devoted columns to the controversy. Half the
townspeople held that the pump was sacred to them--it was a
monument, an ancient landmark, it was everything useful and
ornamental. The other half disagreed. The only opinion in which the
townspeople were unanimous was that, whether right or wrong,
Alderman Juggins had nothing to do with it, and that he was simply
advertising himself.
The evening arrived, and the hall was full. My father occupied the
first half-hour, commencing at eight, with a selection from _Adam
Bede_. I arrived at half-past eight, and in five minutes stepped on
the platform, and commenced with my old sketch, "The Silver
Wedding." The sketch concludes with a description of the supper, and
the toasts proposed in honour of Mr. and Mrs. Alphonzo de Brown's
silver wedding, &c., &c., with the responses. In the imitation of an
old friend of the family, I spoke as nearly as I can recollect, as
follows: "We all congratulate our dear host and hostess on having
arrived at this important epoch in their lives, and the occasion has
created even more sensation than that created by Alderman Juggins's
pump." I waited for the tremendous roar of laughter and applause
that would surely follow this remark. To my intense surprise, there
was not the ghost of a laugh. It could only be accounted for in one
way--I had evidently dropped my voice, and the "gag" had
consequently missed its mark. I would try again.
I proceeded with the supposed old gentleman's speech, and concluded
thus: "We will drink the toast upstanding all, with three times
three; we will drink it in bumpers--we will drink it with wine, good
wine, such as only our host can give--wine that has not been diluted
by the product of Alderman Juggins's pump." This time I shouted the
last sentence, so that there should be no mistake about their
hearing it. To my horror, not a smile. Something was wrong! Perhaps
the observation was out of place in the old gentleman's speech.
Public-domain text, read in full here on John Shaqi.
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