Still, the garden always looked pretty, especially in the summer and
autumn. Then we three boys went in for amateur photography. The fad
was started by me, and I was the principal operator. A "dark room"
was erected against the wall near the house, and the front was
manufactured out of the folding doors which had formerly separated
the dining-room from the drawing-room. An amateur photographer was a
scarcity in those days. The clean and easy dry-plate process was not
then in use. We first had to clean the plain glass plate, which, in
my case, was never successfully accomplished; then to coat it with
collodion, which, if it did not run off the plate up the sleeve,
generally "set" in diagonal streaks. Then it had to be placed in the
wet silver bath, an extremely sensitive concoction, which got out of
order without the slightest provocation. After its exposure in the
camera (by-the-by, I generally forgot to pull up the shutter, or, if
I remembered that, discovered when I went to uncover the lens that
its cap was already off), this plate was subjected to a development
which was original in its vagaries.
If the figures on the plate were indistinct, it was more than could
be said of the spots and patches which appeared vividly on the
fingers and clothes. Still, I was devoted to the occupation while in
my teens, and would photograph all day long, anybody or anything.
The family sat or stood to me a dozen times a day. The dogs used to
sneak into the house and hide in the coal cellar the moment they saw
me bring out the camera. The tradesmen and servants were all taken.
All my father's friends, and they were numerous and good-natured,
were seized and carried into the garden to be taken on glass; for I
generally took "positives," which were finished off then and there
and put into little brass frames, like the sixpenny and shilling
portraits (eighteenpence if a bit of jewellery is painted in with
gold) one sees displayed in the Euston Road and elsewhere.
I have taken Toole scores of times, H. J. Byron, J. Billington,
Andrew Halliday, and many more: in fact, the last-named wrote an
article in _All the Year Round_ called "Precocious Boys," in which
he described my brother and myself photographing him in a
back-garden. I hope the reader will not think I am boasting, but I
solemnly declare that I do not believe any photographer,
professional or amateur, ever succeeded in turning out so many
deplorable failures as I did.
I attach rather an interesting programme of a juvenile--followed by
a grown-up--party at Manor Lodge:
------
Haverstock Hill, April 1st, 1864.
_With Master George and Walter Grossmith's Compliments._
PROGRAMME
7 o'clock.--General Gathering of the Company (Limited).
The first arrival will please to make itself as comfortable as
possible.
Public-domain text, read in full here on John Shaqi.
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