World War, 1914-1918 -- Personal narratives, English
_July 1._ Got up about 11 a.m. and spent the day until 4 p.m. lying in
the sun and listening to the Decca—and the guns! The last of the French
officers left us to-day after marking on our map where two women are to
be found on the Steenvorde road. Thank God we are not like that! About
4.30 p.m. all officers cycled forward to inspect work. Everything is
utterly destroyed, and the once prosperous little town in front of us is
now nothing but a pile of bricks. It requires large parties of men
working all night to keep one road clear for the transport. When one
considers that the town has been utterly wiped out in two months one can
form some conception of the intensity of the German shell-fire. After
struggling through the debris we left our cycles behind a hillock,
entered a trench, and walked round to the front.
Away on the left we could distinguish the ruins of Ypres shining faintly
in the evening sun, and smoking under a desultory bombardment. Closer to
us was the brick pile and swamp once known as Dickebusch, and in front,
a few hundred yards away, the bulk of Kemmel Hill towered above us. Two
months ago I saw it covered with beautiful woods and peaceful rest
camps; now it is a bare, brown pile of earth, and only a few shattered
tree-stumps in the shell-holes remain to mock the memory of its verdant
beauty. The whole of Kemmel Hill and the valley and the ravines in front
are one solid mass of shell-holes. The earth has been turned and turned
again by shell-fire, and the holes lie so close together that they are
not distinguishable as such. The ground in many places is paved with
shrapnel balls and jagged lumps of steel—in ten square yards you could
pick up several hundredweight.
There was a magnificent view of all the Bosche forward lines, but of
course he has a much better view of ours and also of our back areas.
They say it is death to move a finger in front of the hill and all our
work will have to be done at night.
Public-domain text, read in full here on John Shaqi.
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