World War, 1914-1918 -- Personal narratives, English
They woke me after a couple of hours, lent me a horse, and directed me
to the company.
To-morrow I shall be in England.
_Nov. 9._ In the paper this morning there is a brief announcement that
the Second Army is across the Scheldt. I was proud to see it and felt
amply rewarded for my terrible night in the water. It has left no
apparent after-effects, so there must have been more resistance left in
my old carcass than I gave myself credit for.
_Nov. 11._ It is over. These last few days I have hardly dared to hope
for it, and now that it has come I can hardly realise exactly what it
means. The thought of going back to it was killing me, and I have been
suffering from the most ghastly nightmare dreams—sometimes I am stuck in
the wire, unable to duck, with bullets whistling past my head—another
time I am trying to run through knee-deep mud with the shell-bursts
slowly overtaking me. I haven’t slept peacefully since my return, but
think it will be better now.
I went out to see the celebrations to-night, and had only one
regret—that my revolver was left in Flanders.
For of these how many know,
Or, how many knowing, care
Of the things that bought them this
In the mud fields over there.
It is most emphatically over and will forthwith be forgotten.
STOCKHOLM, SWEDEN,
_30th Aug., 1920_.
It is late at night and I am lying on the silken cushions of a private
yacht; my host’s daughter, a beautiful blue-eyed girl, is reclining by
my side, her hand on my shoulder.
All around us the harbour lights are twinkling merrily and the warm
breath of the idle breeze carries the sound of pleasant music from the
gardens in the town. The little waves whisper and sigh seductively under
the stem of the ship, and overhead, “the soft, lascivious stars leer
from the velvet skies.” I recall a similar night at Colwyn in 1914 and
wonder if these people, too, will fail to read the writing on the wall.
We are living once more in the days of “pomp and circumstance”—each
morning I see their Guards march to the Royal Palace with brazen music
and all the childish pageantry of war—each afternoon I see their
sartorially perfect officers parade the Strandvagen before the
gay-gowned beauties of the cafés.
Public-domain text, read in full here on John Shaqi.
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