A Son of Hagar: A Romance of Our TimeCaine, Hall, Sir
General
A Son of Hagar: A Romance of Our Time
Caine, Hall, Sir
Cumberland (England) -- Fiction; English fiction; London (England) -- Fiction
The village lay midway between the vicarage and the church, and the
fiddler and his company marched through it to a brisk tune, bringing
fifty pairs of curious eyes to the windows and the doors. Tom o' Dint
sat erect in the saddle, playing vigorously, and when a burst of
cheering hailed the procession as it passed a group of topers gathered
outside the Flying Horse, Tom accepted it as a tribute to his playing,
and bowed his head with becoming dignity, and without undue familiarity,
always remembering that courtesy comes after art, as a true artist is in
loyalty bound to do.
Once or twice the pony slipped its foot on the frosty road, and then Tom
was fain to abridge a movement in music and make a movement in
gymnastics toward grasping the front of the saddle.
But all went well until the company came within fifty paces of the
church door, and there a river crossed the road. Being shallow and very
swift, the river head escaped the grip of the frost, and slipped through
its fingers. There was a foot-bridge on one side, and the men behind the
fiddler fell out of line to cross by it.
Gubblum dropped the reins and followed them; but, as bridges are not
made for the traffic of ponies, Tom o' Dint was bound to go through the
water. Never interrupting the sweep and swirl of the march he was
playing, he gave the pony a prod with his foot, and it plunged in. But
scarcely had it taken two steps and reached the depth of its knees,
when, from the intenser cold, or from coming sharply against a submerged
stone, or from indignation at the fiddler's prod, or from the occult
cause known as pure devilment, it shied up its back legs, and tossed
down its tousled head, and pitched the musician head-foremost into the
stream.
Amid a burst of derisive cheers, Tom o' Dint was drawn, wet as a sack,
to the opposite bank, and his fiddle was rescued from a rapid voyage
down the river.
Now, the untoward adventure had the good effect of reducing the
fiddler's sense of the importance of his artistic function, and bringing
him back to consciousness of his prosaic duties as postman. He put his
hand into his pocket, feeling as if he had dipped it into a bag of eels,
and drew out the lawyer's letter. It was wet, and the ink of the
superscription was beginning to run.
Tom o' Dint also began to run. Fearing trouble, he left his
unsympathetic cronies, hurried on to the church, went into the vestry,
where he knew there would be a fire, and proceeded to dry the letter.
The water had softened the gum, and the envelope had opened.
"So much the mair easier dried," thought Tom, and, nothing loath, he
drew out the letter, unfolded it, and held it to the fire.
The paper was smoking with the heat, and so was Tom, when he heard
carriage-wheels without, and then a mighty hubbub, and loud voices
mentioning his own name without reverence: "Where's that clothead of a
fiddler?" and sundry other dubious allusions.
Public-domain text, read in full here on John Shaqi.
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