A Son of Hagar: A Romance of Our TimeCaine, Hall, Sir
General
A Son of Hagar: A Romance of Our Time
Caine, Hall, Sir
Cumberland (England) -- Fiction; English fiction; London (England) -- Fiction
Tom knew that he ought to be at the gate striking up a merry tune to
welcome the bride. But then the letter was not dry. There was not a
moment to lose. Tom spread the paper and envelope on the fender,
intending to return for them, and dashed off with his fiddle to the
discharge of his artistic duty.
As Tom o' Dint left the vestry, Parson Christian entered it. The parson
saw the papers on his fender, picked them up, and in all innocence read
them. The letter ran as follows:
"Morley's Hotel, Trafalgar Square, Nov. 28.
"Dear Bonnithorne,--The man who was in Newlands is Paul Lowther,
Greta's half-brother. Paul Ritson is my own brother, my father's son.
Keep this to yourself as you value your salvation, your pride, or
your purse, or whatever else you hold most dear. Send me by wire
to-day the name of their hotel in London, the time of their train
south, and who, if any, are with them.
Yours,
"HUGH RITSON."
"P.S.--The girl Mercy will be troublesome."
The parson had scarcely time to understand the words he read, when he,
too, was compelled to leave the vestry. The bride and bridegroom had met
at the church door. It was usual to receive them at the altar with
music. The fiddler's function was at an end for the present. Parson
Christian could not allow the fiddle to be heard in church. There a less
secular instrument was required. The church was too poor for an organ;
it had not yet reached the dignity of a harmonium; but it had an
accordion, and among the parson's offices was the office of
accordionist. So, throwing his gown over his head, he walked into the
church, stepped into the pulpit, whipped up his instrument from the
shelf where he kept it, and began to play.
Now it chanced that Mr. Bonnithorne in his legal capacity held certain
documents for signature, and having accompanied the bride to the altar
rail, he hurried to deposit them in the vestry. The gloom had still hung
heavy on his brow as he entered the church. He was brooding over a
letter that he had expected and had not received. Perhaps it was his
present hunger for a letter that made his eye light first on the one
which the fiddler-postman had left to dry. The parson had dropped it on
the mantel-shelf. At a glance Mr. Bonnithorne saw it was his own.
Tom o' Dint had been compelled to come up the aisle at the tail of the
wedding-party. He saw Mr. Bonnithorne, who was at the head of it, go
into the vestry. Dripping wet as he was, and with chattering teeth, the
sweat stood on his forehead. "Deary me, what sec a character will I
have!" he muttered. He elbowed and edged his way through the crowd, and
got into the vestry at last. But he was too late. With an eye that
struck lightning into the meek face of the fiddler, Mr. Bonnithorne
demanded an explanation.
The request was complied with.
"And who has been in the room since you left it?"
"Nay, nobody, sir."
"Sure of that?"
"For sure," said Tom.
Public-domain text, read in full here on John Shaqi.
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