A Son of Hagar: A Romance of Our Time — John Shaqi
A Son of Hagar: A Romance of Our TimeCaine, Hall, Sir
General
A Son of Hagar: A Romance of Our Time
Caine, Hall, Sir
Cumberland (England) -- Fiction; English fiction; London (England) -- Fiction
"Now, just to give you a sample. Here's a nice neat shawl that I never
had no more nor two of. Well, I actually sold the fellow of that shawl
for seven-and-sixpence."
The look of amazement at his own shortcomings which sat on the
child-like face of the peddler was answered by the expression of mock
surprise in the face of Paul Ritson, who came up at the moment, took the
shawl from Gubblum's outstretched arms, and said in a hushed whisper:
"No, did you now?"
Geordie Moore thereupon dived into his pocket, and brought out three
half-crowns.
"Here's for you, Gubblum; let's have it."
"'Od bless me!" cried the elderly cynic, "but that Gubblum will never
mak' his plack a bawbee."
And Grey Graham, having disposed of the affairs of the nation and
witnessed Geordie snap at the peddler's bait, cried out in a bitter
laugh:
"'There's little wit within his powe
That lights a candle at the lowe.'"
Just then a tumult arose in the vicinity of the bar. The two cronies
were at open war.
"Deuce take it! I had fifteen white shillin' in my reet-hand breek
pocket, and where are they now?"
"'Od dang thee! what should I know about your brass? You're kicking up a
stour to waken a corp!"
"I had fifteen white shillin' in my reet-hand breek pocket, I tell
thee!"
"What's that to me, thou poor shaffles? You're as drunk as muck. Do you
think I've taken your brass? You've got a wrong pig by the lug if you
reckon to come ower me!"
"They were in my reet-hand breek pocket, I'll swear on it!"
"What a fratchin'--try your left-hand breek pocket."
The russet-faced plowman thrust his hand where directed and instantly a
comical smile of mingled joy and shame overspread his countenance. There
was a gurgling laugh, through which the voice of the peddler could be
heard saying:
"We'll mak' thee king ower the cockers, my canny lad."
The canny lad was slinking away amid a derisive titter, when a great
silence fell on the booth. Those in front fell back, and those behind
craned their necks to see over the heads of the people before them.
At the mouth of the booth stood the old Laird Fisher, his face ghastly
pale, his eyes big and restless, the rain dripping from his long hair
and beard.
"They've telt me," he began in a strange voice, "they've telt me that my
Mercy has gone off in the London train. I reckon they're mistook as to
the lass, but I've come to see for mysel'. Is she here?"
None answered. Only the heavy rain-drops that pattered on the canvas
overhead broke the silence. Paul Ritson pushed his way through the
crowd.
"Mercy?--London? Wait, Matthew; I'll see if she's here."
The Laird Fisher looked from face to face of the people about him.
"Any on you know owt about her?" he asked in a low voice. "Why don't you
speak, some on you? You shake your heads--what does that mean?"
The old man was struggling to control the emotion that was surging in
his throat.
"No, Matthew, she's not here," said Paul Ritson.
Public-domain text, read in full here on John Shaqi.
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