Burglars -- Fiction; Detective and mystery stories; Husband and wife -- Fiction; Murder -- Investigation -- Fiction
Rowton’s prophecy was abundantly fulfilled: there was not a man in the
place who did not look with more than admiration at the lovely girl
who walked by his side. They went to the opera and Rowton watched the
faces of his fellow-men and women. Some acquaintance in a distant box
recognised him and bowed. Rowton returned their salutations icily; he did
not want old friends to crop up here; he was determined to share Nance
with no one during the golden four weeks which he had allowed himself.
But when a Frenchman of the name of D’Escourt knocked at the door of
the Rowtons’ box, Rowton felt forced to admit him and to introduce him
to Nance. The two men talked for a little time in French, and D’Escourt
promised himself the pleasure of calling on Mrs. Rowton early the
following day. He sat down presently by her side, and began to talk. He
was a man of the world, extremely polished, and with a perfect knowledge
of English as well as French. Nancy’s French was not her strong point,
and she was glad to talk to the stranger in English.
“By the way,” he said suddenly, turning and looking at Rowton, who with a
frown between his brows gazed gloomily into the house, “it is some years
now since I saw you in our gay capital, my friend; not since 18⸺” He
mentioned a date; it was the year of Anthony Follett’s death.
“I wonder,” thought Nance to herself, “if Adrian could help me in my
strange and awful search. I will not think to-night of that terrible fate
which hangs over me.”
She tried to force her thoughts from the subject, but try as she would,
they hovered round it. She suddenly felt cold and miserable; her
conscience seemed to reproach her for her present extraordinary bliss;
she thought of her dead father, the desolate Grange, and the long six
years of misery. Her present life seemed like a dream; she might awaken
any moment to find herself back at the Grange; Rowton not allowed to
visit her, her father there, and the dreadful, stingy, starved existence
once more her own.
She started, hearing Adrian’s voice in her ears.
“A penny for your thoughts,” he said.
“I was trying to pinch myself,” she said.
She looked up and saw that D’Escourt had left them. “I was trying to
pinch myself,” she continued, “to find out whether I was really in a
dream or not.”
“You are not in a dream; at least, if you are, I am in it too; and I vote
we stay in dream-land, for it is monstrous pleasant,” said Adrian. “Now
listen to that music, Nance; does it not uplift your soul?”
She turned and looked vaguely at the performers on the stage. The opera
was one of Rossini’s; the scene now represented was a harvest festival;
the stage was full of motion and brilliant colour; the gay, light,
uplifting music rose to the very roof of the magnificent opera house.
“It is almost too much,” said Nance, with something like a sob in her
throat. She looked suddenly so white and weary that Rowton insisted on
her returning to the hotel without seeing the piece out.
Public-domain text, read in full here on John Shaqi.
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