A Son of the Gods, and A Horseman in the SkyBierce, Ambrose
History
A Son of the Gods, and A Horseman in the Sky
Bierce, Ambrose
United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
Meantime the young horseman has advanced a hundred yards. He is riding
at a walk, straight up the long slope, with never a turn of the head.
How glorious! Gods! what would we not give to be in his place--with his
soul! He does not draw his sabre; his right hand hangs easily at his
side. The breeze catches the plume in his hat and flutters it smartly.
The sunshine rests upon his shoulder-straps, lovingly, like a visible
benediction. Straight on he rides. Ten thousand pairs of eyes are fixed
upon him with an intensity that he can hardly fail to feel; ten thousand
hearts keep quick time to the inaudible hoof-beats of his snowy steed.
He is not alone--he draws all souls after him; we are but "dead men
all." But we remember that we laughed! On and on, straight for the
hedge-lined wall, he rides. Not a look backward. Oh, if he would but
turn--if he could but see the love, the adoration, the atonement!
Not a word is spoken; the populous depths of the forest still murmur
with their unseen and unseeing swarm, but all along the fringe there
is silence absolute. The burly commander is an equestrian statue
of himself. The mounted staff officers, their field-glasses up, are
motionless all. The line of battle in the edge of the wood stands at a
new kind of "attention," each man in the attitude in which he was
caught by the consciousness of what is going on. All these hardened and
impenitent man-killers, to whom death in its awfulest forms is a fact
familiar to their every-day observation; who sleep on hills trembling
with the thunder of great guns, dine in the midst of streaming missiles,
and play at cards among the dead faces of their dearest friends,--all
are watching with suspended breath and beating hearts the outcome of an
act involving the life of one man. Such is the magnetism of courage and
devotion.
If now you should turn your head you would see a simultaneous movement
among the spectators a start, as if they had received an electric
shock--and looking forward again to the now distant horseman you would
see that he has in that instant altered his direction and is riding
at an angle to his former course. The spectators suppose the sudden
deflection to be caused by a shot, perhaps a wound; but take this
field-glass and you will observe that he is riding toward a break in the
wall and hedge. He means, if not killed, to ride through and overlook
the country beyond.
Public-domain text, read in full here on John Shaqi.
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