A Son of the Gods, and A Horseman in the Sky — John Shaqi
A Son of the Gods, and A Horseman in the SkyBierce, Ambrose
History
A Son of the Gods, and A Horseman in the Sky
Bierce, Ambrose
United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
Now begins an extraordinary contest of intellect between a man and
an army. Our horseman, now within a quarter of a mile of the crest,
suddenly wheels to the left and gallops in a direction parallel to
it. He has caught sight of his antagonist; he knows all. Some slight
advantage of ground has enabled him to overlook a part of the line. If
he were here, he could tell us in words. But that is now hopeless; he
must make the best use of the few minutes of life remaining to him,
by compelling the enemy himself to tell us as much and as plainly as
possible--which, naturally, that discreet power is reluctant to do. Not
a rifleman in those crouching ranks, not a cannoneer at those masked and
shotted guns, but knows the needs of the situation, the imperative duty
of forbearance. Besides, there has been time enough to forbid them
all to fire. True, a single rifle-shot might drop him and be no great
disclosure. But firing is infectious--and see how rapidly he moves,
with never a pause except as he whirls his horse about to take a new
direction, never directly backward toward us, never directly forward
toward his executioners. All this is visible through the glass; it seems
occurring within pistol-shot; we see all but the enemy, whose presence,
whose thoughts, whose motives we infer. To the unaided eye there is
nothing but a black figure on a white horse, tracing slow zigzags
against the slope of a distant hill--so slowly they seem almost to
creep.
Now--the glass again--he has tired of his failure, or sees his error, or
has gone mad; he is dashing directly forward at the wall, as if to take
it at a leap, hedge and all! One moment only and he wheels right about
and is speeding like the wind straight down the slope--toward his
friends, toward his death! Instantly the wall is topped with a fierce
roll of smoke for a distance of hundreds of yards to, right and left.
This is as instantly dissipated by the wind, and before the rattle of
the rifles reaches us, he is down. No, he recovers his seat; he has but
pulled his horse upon its haunches. They are up and away! A tremendous
cheer bursts from our ranks, relieving the insupportable tension of our
feelings. And the horse and its rider? Yes, they are up and away.
Away, indeed--they are making directly to our left, parallel to the
now steadily blazing and smoking wall. The rattle of the musketry is
continuous, and every bullet's target is that courageous heart.
Suddenly a great bank of white smoke pushes upward from behind the
wall. Another and another--a dozen roll up before the thunder of the
explosions and the humming of the missiles reach our ears, and the
missiles themselves come bounding through clouds of dust into our
covert, knocking over here and there a man and causing a temporary
distraction, a passing thought of self.
Public-domain text, read in full here on John Shaqi.
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