The parish church lay at the lower end of the loch, a pretty little
church built since the days when architecture had penetrated even into
Scotland. Colin of Ramore and his family were there in their pew, the
boys arranged in order of seniority between Mrs. Campbell, who sat at
the head, and the farmer himself who kept the seat at the door.
Black-eyed Johnnie, with his hair bleached white by constant exposure,
and his round eyes wandering over the walls and the pews and the pulpit
and the people, sat by his mother’s side, and the younger Colin occupied
his post of seniority by his father. They were all seated, in this
disposition, when the present occupant of the Castle, Sir Thomas
Frankland, lounged up the little aisle, with his son after him. Sir
Thomas was quite devout and respectable, a man who knew how to conduct
himself even in such a novel scene--and after all a Presbyterian church
was no novelty to the sportsman--but to Harry the aspect of everything
was new, and his curiosity was excited. It was a critical moment in the
history of the parish. The former minister had been transferred only a
few weeks before to a more important station, and the Earl, the patron,
had, according to Scotch phraseology, “presented” a new incumbent to the
living. This unhappy man was ascending the pulpit when the Franklands,
father and son, entered the church. For the Earl’s presentation by no
means implied the peaceable entrance of the new minister; he had to
preach, to give the people an opportunity of deciding whether they liked
him or not; and if they did not like him, they had the power of
“objecting,” that is, of urging special reasons for their dislike before
the Presbytery, with a certainty of making a little noise in the
district, and a reasonable probability of disgusting and mortifying the
unlucky presentee, to the point of throwing up his appointment. All this
was well known to the unfortunate man, who rose up in the pulpit as Sir
Thomas found a seat, and proceeded to read the psalm with a somewhat
embarrassed and faltering voice. He was moderately young and
well-looking, with a face, at the present moment, more agitated than was
quite harmonious with the position in which he stood: for he was quite
aware that everybody was criticizing him, and that the inflections of
his voice and the fiery tint of his hair were being noted by eager
commentators bent upon finding ground for an “objection” in everything
he said. Such a consciousness naturally does not promote ease or
comfort. His hair looked redder than ever, as a stray ray of sunshine
gleamed in upon him, and his voice took a nervous break as he looked
over the many hard unsympathetic faces which were regarding him with the
sharp curiosity and inspection of excited wits.
Public-domain text, read in full here on John Shaqi.
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