When they entered the _salone_ on their return, the first object which
met their eyes was the stately figure of Sora Antonia in full holiday
costume, lately returned from mass. She had still her fan and her rosary
depending from her wrist--adjuncts almost equally necessary to devotion,
as that is understood at Frascati--and was still arrayed in the full
splendours of the veil, which, fastened over her hair, fell almost to
her feet behind, and gave grace and dignity to her tall and stately
person. Sora Antonia was a dependent of the family Savvelli; scarcely a
servant, though she had once belonged to the prince’s household. She had
charge of the palace at Frascati, which was never occupied except by a
solitary ecclesiastic, the prince’s brother, for whom the first-floor
was kept sacred. Even this sanctity, however, was sometimes invaded when
a good chance offered of letting the _piano nobile_ to some rich
foreigner, which was the fate of all the other apartments in the house.
Sora Antonia had charge of all the interests of the Savvelli in their
deserted mansion. When the tenants did any damage she made careful note
of it, and did not in any respect neglect the interests of her master;
nor was she inconsiderate of her own, but regarded it as a natural duty,
when it proved expedient, to make a little money out of the Forestieri.
“They give one trouble enough, the blessed Madonna knows,” the good
woman said piously. But, notwithstanding these prudent cares, Sora
Antonia was not only a very sensible woman according to her lights, but
had a heart, and understood her duty to her neighbours. She made her
salutations to the two friends when they entered with equal suavity, but
addressed her explanations to Colin, who was not only her favourite in
right of his youth and good looks, but made out her meaning more easily
than his companion. The crisis was an important one, and Sora Antonia
conducted herself accordingly; as soon as she had made her salutations
she resumed her seat, which in itself was an act requiring explanation,
especially as the table had been already arranged for dinner, and this
was the last day in the world on which the strangers were likely to
desire society. Sora Antonia took matters with a high hand, and in case
of opposition secured for herself at least the first word.
“Pardon, caro Signore mio,” she said, “you are surprised to find me
here. Very well; I am sorry to incommode the gentlemen, but I have to do
my duty. The Signorina is very young, and she has no one to take care of
her. The Signori are very good, very excellent, and kind. Ah yes, I know
it--never was there such devotion to the poor sick friend; nevertheless,
the Signori are but men, _senza complimenti_, and I am a woman who has
been married and had children of my own, and know my duty. Until some
proper person comes to take charge of the poor dear young lady, the
Signori will pardon me, but I must remain here.”
Public-domain text, read in full here on John Shaqi.
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