"Nutwood"--the three-storied red brick house crowning an eminence shaded
by walnut and chestnut trees--had been built in 1825 by General
Maurice's father, and its pillared piazza running along three sides
overlooked the city of Y----, two miles distant, where spires and
factory chimneys lifted their lines against mellow western skies. On the
first and second floors of the old mansion wide halls crossed at right
angles, admitting breezes from every point of the compass, and so
unusually thick were the walls that the nearly square windows framed in
cedar furnished comfortable lounging seats. For many years this place
had been famous throughout the State for its race-horses, game chickens,
pointers, fox-hounds, and fine library, and the hospitality dispensed
was peculiar to an era characterized by conditions that the Civil War
annihilated. No invading army had reached the city of Y----, but raiding
cavalry squads once completely sacked the Maurice plantations many miles
distant in the river valley, and burned not only the empty gin house,
but the commodious family residence often occupied in autumn. Prior to
her departure for Europe Mrs. Maurice had rebuilt gin and warehouses,
and erected a pretty four-room cottage comfortably furnished, which,
with fifty acres of adjoining land, she gave as dower to Eliza when she
married the faithful overseer and manager of the "Bend Plantations."
One sultry spring morning in Eglah's ninth year, she sat with Eliza in
the "out-door schoolroom" where lessons were studied in warm weather. It
was a cool retreat--a circular, latticed summer-house--overrun by yellow
woodbine, honeysuckle, and a pink multiflora rose, all in full bloom,
busy distilling perfume their satin lips offered in libation to the
lazily wandering wind that caressed them. The pointed roof was rain
proof, the floor tiled, and between the arched openings seats were
fastened to the lattice wall. From the round table in the centre lovely
views of shrubbery, lily-starred lawn, far-off grain fields, green
pasture lands where cattle browsed, seemed set in frames of leafage and
tendril that ran riot around the archways. A walk bordered with lilacs
and azaleas led to the door of the conservatory, which flanked the long
drawing-room; stretching beyond, one could see the wide front of the
house, where no balustrade broke the line of white columns rising to the
crenellated flat roof. Eglah sat with a geography lying open before her
on the table, and her head supported by arms resting on the map, but
once she turned a leaf, and the wind fluttered a letter many weeks old
from her father.
"Are you ready to answer the map questions?"
"No, Ma-Lila. Why must I always answer other people's questions, when
nobody answers mine? I will say my lesson when you tell me what
'scallawag' and 'carpet-bagger' mean."
Public-domain text, read in full here on John Shaqi.
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