Sooner or later the _diabolus ex machina_ confronts us all, and pierces
at the one spot least guarded because deemed invulnerable. Mrs.
Maurice's maternal pride was built on the shifting sands of girlish
impulse and flattered vanity, and the crash showed her that somewhere at
the cross roads she had failed to offer a black lamb in propitiating
evil divinities--had left no morsel of meat for the sleuth-hounds of
baleful destiny that suddenly bayed destruction to the last earthly hope
life held for her. Reared in the semi-cloistral seclusion of a Southern
girl's education in ante-bellum days, trained at home by governesses,
and barred from society until she should have made the European tour for
which her mother had fixed an early date, predestined Marcia went to her
doom when at the house of a friend she met accidentally the recently
appointed Federal judge, Allison Kent--handsome, courtly, debonair, and
wily.
Clandestine courtships rarely lag; hence this lover of forty years,
dreading discovery and the prompt removal of an infatuated girl only
seventeen on her last birthday, kept the mother in complete ignorance of
impending calamity until the night before her departure for Europe, when
Marcia fled with him to an adjoining State, where a justice of the peace
made them man and wife.
In accordance with life-long custom, Mrs. Maurice went to her child's
bedroom to kiss her good night, and on the pillow found a farewell note,
praying for forgiveness, and promising to meet her at a town on the line
of her journey. How the mother bore this shock only God knew; no eye but
His watched during that long night, when her soul went down into a
Gehenna of torture--when, alone in her crucifixion, she accepted defeat,
and girded herself for grim endurance. As day dawned she unlocked her
door, and summoning her servants, said:
"Miss Marcia has left me to marry a man who cannot enter my house. Take
this note to Mr. Whitfield's residence at once; not to his office, to
his house. Minerva, you will finish packing Miss Marcia's trunk, which
must be sent to her. I shall make no change in my plans, except to take
the noon train instead of the one at midnight. Ask me no questions. Send
Mitchell and Eliza to me."
When her attorney, Mr. Whitfield, appalled by the stony white face that
showed no hint of tears, no more trace of grief than the marble figure
that supported the mantel at her side, essayed a few words of sympathy,
she put out her hands with an imperious gesture.
"There is no comfort possible, and I need your help only in writing a
new will. I start to New York at noon, so you have little time."
Public-domain text, read in full here on John Shaqi.
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