A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2 — John Shaqi
A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2Turgenev, Ivan Sergeevich
General
A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2
Turgenev, Ivan Sergeevich
Country life -- Russia -- Fiction; Peasants -- Russia -- Fiction; Russia -- Social life and customs -- Fiction
Produced by Jonathan Ingram, David Garcia, Charles Franks
and the Online Distributed Proofreading Team.
A SPORTSMAN'S SKETCHES
BY IVAN TURGENEV
_Translated from the Russian_
_By CONSTANCE GARNETT_
VOLUME II
CONTENTS
XV. TATYANA BORISSOVNA AND HER NEPHEW
XVI. DEATH
XVII. THE SINGERS
XVIII. PIOTR PETROVITCH KARATAEV
XIX. THE TRYST
XX. THE HAMLET OF THE SHTCHIGRI DISTRICT
XXI. TCHERTOP-HANOV AND NEDOPYUSKIN
XXII. THE END OF TCHERTOP-HANOV
XXIII. A LIVING RELIC
XXIV. THE RATTLING OF WHEELS
XXV. EPILOGUE: THE FOREST AND THE STEPPE
XV
TATYANA BORISSOVNA AND HER NEPHEW
Give me your hand, gentle reader, and come along with me. It is glorious
weather; there is a tender blue in the May sky; the smooth young leaves
of the willows glisten as though they had been polished; the wide even
road is all covered with that delicate grass with the little reddish
stalk that the sheep are so fond of nibbling; to right and to left, over
the long sloping hillsides, the green rye is softly waving; the shadows
of small clouds glide in thin long streaks over it. In the distance is
the dark mass of forests, the glitter of ponds, yellow patches of
village; larks in hundreds are soaring, singing, falling headlong with
outstretched necks, hopping about the clods; the crows on the highroad
stand still, look at you, peck at the earth, let you drive close up, and
with two hops lazily move aside. On a hill beyond a ravine a peasant is
ploughing; a piebald colt, with a cropped tail and ruffled mane, is
running on unsteady legs after its mother; its shrill whinnying reaches
us. We drive on into the birch wood, and drink in the strong, sweet,
fresh fragrance. Here we are at the boundaries. The coachman gets down;
the horses snort; the trace-horses look round; the centre horse in the
shafts switches his tail, and turns his head up towards the wooden yoke
above it... the great gate opens creaking; the coachman seats
himself.... Drive on! the village is before us. Passing five homesteads,
and turning off to the right, we drop down into a hollow and drive along
a dyke, the farther side of a small pond; behind the round tops of the
lilacs and apple-trees a wooden roof, once red, with two chimneys, comes
into sight; the coachman keeps along the hedge to the left, and to the
spasmodic and drowsy baying of three pug dogs he drives through the wide
open gates, whisks smartly round the broad courtyard past the stable and
the barn, gallantly salutes the old housekeeper, who is stepping
sideways over the high lintel in the open doorway of the storehouse, and
pulls up at last before the steps of a dark house with light windows....
We are at Tatyana Borissovna's. And here she is herself opening the
window and nodding at us.... 'Good day, ma'am!'
Public-domain text, read in full here on John Shaqi.
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