natural ferocity, with an equally inborn generosity--a combination I have never met in any other man. And so the booth-keeper stepped forward, and, half shutting his eyes, began singing in high falsetto. He had a fairly sweet and pleasant voice, though rather hoarse: he played with his voice like a woodlark, twisting and turning it in incessant roulades and trills up and down the scale, continually returning to the highest notes, which he held and prolonged with special care. Then he would break off, and again suddenly take up the first motive with a sort of go-ahead daring. His modulations were at times rather bold, at times rather comical; they would have given a connoisseur great satisfaction, and have made a German furiously indignant. He was a Russian _tenore di grazia, ténor léger_. He sang a song to a lively dance-tune, the words of which, all that I could catch through the endless maze of variations, ejaculations and repetitions, were as follows: 'A tiny patch of land, young lass, I'll plough for thee, And tiny crimson flowers, young lass, I'll sow for thee.' He sang; all listened to him with great attention. He seemed to feel that he had to do with really musical people, and therefore was exerting himself to do his best. And they really are musical in our part of the country; the village of Sergievskoe on the Orel highroad is deservedly noted throughout Russia for its harmonious chorus-singing. The booth-keeper sang for a long while without evoking much enthusiasm in his audience; he lacked the support of a chorus; but at last, after one particularly bold flourish, which set even the Wild Master smiling, the Gabbler could not refrain from a shout of delight. Everyone was roused. The Gabbler and the Blinkard began joining in in an undertone, and exclaiming: 'Bravely done!... Take it, you rogue!... Sing it out, you serpent! Hold it! That shake again, you dog you!... May Herod confound your soul!' and so on. Nikolai Ivanitch behind the bar was nodding his head from side to side approvingly. The Gabbler at last was swinging his legs, tapping with his feet and twitching his shoulder, while Yashka's eyes fairly glowed like coal, and he trembled all over like a leaf, and smiled nervously. The Wild Master alone did not change countenance, and stood motionless as before; but his eyes, fastened on the booth-keeper, looked somewhat softened, though the expression of his lips was still scornful. Emboldened by the signs of general approbation, the booth-keeper went off in a whirl of flourishes, and began to round off such trills, to turn such shakes off his tongue, and to make such furious play with his throat, that when at last, pale, exhausted, and bathed in hot perspiration, he uttered the last dying note, his whole body flung back, a general united shout greeted him in a violent outburst. The Gabbler threw himself on his neck and began strangling him in his long, bony arms; a flush came out on Nikolai Ivanitch's oily