A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2Turgenev, Ivan Sergeevich
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A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2
Turgenev, Ivan Sergeevich
Country life -- Russia -- Fiction; Peasants -- Russia -- Fiction; Russia -- Social life and customs -- Fiction
And the Wild Master looked down expectant. Yakov was silent for a
minute; he glanced round, and covered his face with his hand. All had
their eyes simply fastened upon him, especially the booth-keeper, on
whose face a faint, involuntary uneasiness could be seen through his
habitual expression of self-confidence and the triumph of his success.
He leant back against the wall, and again put both hands under him, but
did not swing his legs as before. When at last Yakov uncovered his face
it was pale as a dead man's; his eyes gleamed faintly under their
drooping lashes. He gave a deep sigh, and began to sing.... The first
sound of his voice was faint and unequal, and seemed not to come from
his chest, but to be wafted from somewhere afar off, as though it had
floated by chance into the room. A strange effect was produced on all of
us by this trembling, resonant note; we glanced at one another, and
Nikolai Ivanitch's wife seemed to draw herself up. This first note was
followed by another, bolder and prolonged, but still obviously
quivering, like a harpstring when suddenly struck by a stray finger it
throbs in a last, swiftly-dying tremble; the second was followed by a
third, and, gradually gaining fire and breadth, the strains swelled into
a pathetic melody. 'Not one little path ran into the field,' he sang,
and sweet and mournful it was in our ears. I have seldom, I must
confess, heard a voice like it; it was slightly hoarse, and not
perfectly true; there was even something morbid about it at first; but
it had genuine depth of passion, and youth and sweetness and a sort of
fascinating, careless, pathetic melancholy. A spirit of truth and fire,
a Russian spirit, was sounding and breathing in that voice, and it
seemed to go straight to your heart, to go straight to all that was
Russian in it. The song swelled and flowed. Yakov was clearly carried
away by enthusiasm; he was not timid now; he surrendered himself wholly
to the rapture of his art; his voice no longer trembled; it quivered,
but with the scarce perceptible inward quiver of passion, which pierces
like an arrow to the very soul of the listeners; and he steadily gained
strength and firmness and breadth. I remember I once saw at sunset on a
flat sandy shore, when the tide was low and the sea's roar came weighty
and menacing from the distance, a great white sea-gull; it sat
motionless, its silky bosom facing the crimson glow of the setting sun,
and only now and then opening wide its great wings to greet the
well-known sea, to greet the sinking lurid sun: I recalled it, as I
heard Yakov. He sang, utterly forgetful of his rival and all of us; he
seemed supported, as a bold swimmer by the waves, by our silent,
passionate sympathy. He sang, and in every sound of his voice one seemed
to feel something dear and akin to us, something of breadth and space,
as though the familiar steppes were unfolding before our eyes and
stretching away into endless distance. I felt the tears gathering in my
Public-domain text, read in full here on John Shaqi.
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