A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2Turgenev, Ivan Sergeevich
General
A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2
Turgenev, Ivan Sergeevich
Country life -- Russia -- Fiction; Peasants -- Russia -- Fiction; Russia -- Social life and customs -- Fiction
I took one more look at Yakov and went out. I did not want to stay--I
was afraid of spoiling the impression I had received. But the heat was
as insupportable as before. It seemed hanging in a thick, heavy layer
right over the earth; over the dark blue sky, tiny bright fires seemed
whisking through the finest, almost black dust. Everything was still;
and there was something hopeless and oppressive in this profound hush of
exhausted nature. I made my way to a hay-loft, and lay down on the
fresh-cut, but already almost dry grass. For a long while I could not go
to sleep; for a long while Yakov's irresistible voice was ringing in my
ears.... At last the heat and fatigue regained their sway, however, and
I fell into a dead sleep. When I waked up, everything was in darkness;
the hay scattered around smelt strong and was slightly damp; through the
slender rafters of the half-open roof pale stars were faintly twinkling.
I went out. The glow of sunset had long died away, and its last trace
showed in a faint light on the horizon; but above the freshness of the
night there was still a feeling of heat in the atmosphere, lately baked
through by the sun, and the breast still craved for a draught of cool
air. There was no wind, nor were there any clouds; the sky all round was
clear, and transparently dark, softly glimmering with innumerable, but
scarcely visible stars. There were lights twinkling about the village;
from the flaring tavern close by rose a confused, discordant din, amid
which I fancied I recognised the voice of Yakov. Violent laughter came
from there in an outburst at times. I went up to the little window and
pressed my face against the pane. I saw a cheerless, though varied and
animated scene; all were drunk--all from Yakov upwards. With breast
bared, he sat on a bench, and singing in a thick voice a street song to
a dance-tune, he lazily fingered and strummed on the strings of a
guitar. His moist hair hung in tufts over his fearfully pale face. In
the middle of the room, the Gabbler, completely 'screwed' and without
his coat, was hopping about in a dance before the peasant in the grey
smock; the peasant, on his side, was with difficulty stamping and
scraping with his feet, and grinning meaninglessly over his dishevelled
beard; he waved one hand from time to time, as much as to say, 'Here
goes!' Nothing could be more ludicrous than his face; however much he
twitched up his eyebrows, his heavy lids would hardly rise, but seemed
lying upon his scarcely visible, dim, and mawkish eyes. He was in that
amiable frame of mind of a perfectly intoxicated man, when every
passer-by, directly he looks him in the face, is sure to say, 'Bless
you, brother, bless you!' The Blinkard, as red as a lobster, and his
nostrils dilated wide, was laughing malignantly in a corner; only
Nikolai Ivanitch, as befits a good tavern-keeper, preserved his
composure unchanged. The room was thronged with many new faces; but the
Wild Master I did not see in it.
Public-domain text, read in full here on John Shaqi.
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