“Well,” continued Schinner, “when I was brought into court in presence
of the magistrates, I learned that the cursed corsair was dead, poisoned
by Zena. I’d liked to have changed linen then. Give you my word, I knew
nothing of _that_ melodrama. It seems the Greek girl put opium (a great
many poppies, as monsieur told us, grow about there) in the pirate’s
grog, just to make him sleep soundly and leave her free for a little
walk with me, and the old duenna, unfortunate creature, made a mistake
and trebled the dose. The immense fortune of that cursed pirate was
really the cause of all my Zena’s troubles. But she explained matters
so ingenuously that I, for one, was released with an injunction from the
mayor and the Austrian commissary of police to go back to Rome. Zena,
who let the heirs of the Uscoque and the judges get most of the old
villain’s wealth, was let off with two years’ seclusion in a convent,
where she still is. I am going back there some day to paint her
portrait; for in a few years, you know, all this will be forgotten. Such
are the follies one commits at eighteen!”
“And you left me without a sou in the locanda at Venice,” said
Mistigris. “And I had to get from Venice to Rome by painting portraits
for five francs apiece, which they didn’t pay me. However, that was my
halcyon time. I don’t regret it.”
“You can imagine the reflections that came to me in that Dalmatian
prison, thrown there without protection, having to answer to Austrians
and Dalmatians, and in danger of losing my head because I went twice to
walk with a woman. There’s ill-luck, with a vengeance!”
“Did all that really happen to you?” said Oscar, naively.
“Why shouldn’t it happen to him, inasmuch as it had already happened
during the French occupation of Illyria to one of our most gallant
officers of artillery?” said the count, slyly.
“And you believed that artillery officer?” said Mistigris, as slyly to
the count.
“Is that all?” asked Oscar.
“Of course he can’t tell you that they cut his head off,--how could he?”
said Mistigris. “‘Dead schinners tell no tales.’”
“Monsieur, are there farms in that country?” asked Pere Leger. “What do
they cultivate?”
“Maraschino,” replied Mistigris,--“a plant that grows to the height of
the lips, and produces a liqueur which goes by that name.”
“Ah!” said Pere Leger.
“I only stayed three days in the town and fifteen in prison,” said
Schinner, “so I saw nothing; not even the fields where they grow the
maraschino.”
“They are fooling you,” said Georges to the farmer. “Maraschino comes in
cases.”
“‘Romances alter cases,’” remarked Mistigris.
CHAPTER V. THE DRAMA BEGINS
Pierrotin’s vehicle was now going down the steep incline of the valley
of Saint-Brice to the inn which stands in the middle of the large
village of that name, where Pierrotin was in the habit of stopping an
hour to breathe his horses, give them their oats, and water them. It was
now about half-past one o’clock.
Public-domain text, read in full here on John Shaqi.
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