A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
It cannot be I am in the presence of the Virgin. Americans do not
believe in either Virgins or Venuses. Americans believe in themselves.
There is no need of gods now but if the need arises Americans will
manufacture many millions of them, all alike. They will label them
“Keep smiling” or “Safety first” and go on their way, and as for the
woman, the Virgin, she is the enemy of our race. Her purpose is not our
purpose. Away with her!
The beam of wood I see is just a beam of wood. It was cut in a forest
and brought to the factory to support a wall that had begun to give
way. No one touched it with careless hurried hands and so it aged as
you see, quite beautifully--as trees themselves age. All about me are
broken wheels. In the factory the great steam-driven wheels are forever
still now.
Broken dreams, ends of thoughts, a stifled feeling within my chest.
Aha, you Stephenson, Franklin, Fulton, Bell, Edison--you heroes of
my Industrial Age, you men who have been the gods of the men of my
day--is your day over so soon? “In the end,” I am telling myself, “all
of your triumphs come to the dull and meaningless absurdity, of say
a clothespin factory. There have been sweeter men in old times, half
forgotten now, who will be remembered after you are forgotten. The
Virgin too, will be remembered after you are forgotten. Would it not
be amusing if Chartres continued to stand after you are forgotten?”
Is it not absurd? Because I do not want to work in a warehouse and roll
kegs, because I do not want to work in a factory anywhere I must needs
go getting gaudy and magnificent and try to blow all factories away
with a breath of my fancy. My fancy climbs up and up.
Democracy shall spread itself out thinner and thinner, it shall come to
nothing but empty mouthings in the end. Everywhere, all over the earth,
shall be the dreary commercial and material success of, say the later
Byzantine Empire. In the West and after the great dukes, the kings and
the popes, the commoners--who were not commoners after all but only
stole the name--are having their day. The shrewd little money-getters
with the cry “democracy” on their lips shall rule for a time and then
the real commoners shall come--and that shall be the worst time of
all. Oh, the futile little vanity of the workers who have forgotten
the cunning of hands, who have long let machines take the place of the
cunning of hands!
And the tired men of the arts. Oh, the cunning smart little men of
the arts of New York and Chicago! Painters making advertising designs
for soap, painters making portraits of bankers’ wives, story-tellers
striving wearily to “make” the _Saturday Evening Post_ or to be
revolutionists in the arts. Artists everywhere striving for what?
Respectability perhaps--to call attention to themselves perhaps.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account