A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
I trembled at the thought of what might happen, at the thought of what
had happened that day in the shed.
Father had stood--I shall never know how long--with the heavy stick
upraised, looking into the eyes of his son, and the son had stared,
with a fixed determined stare, back into the eyes of his father.
At the moment I had thought that--boy as I was--I understood how such a
strange unaccountable thing as a murder could happen. Thoughts did not
form themselves definitely in my mind but after that moment I knew that
it is always the weak, frightened by their own weakness, who kill the
strong, and perhaps I also knew myself for one of the weak ones of the
world. At the moment, as father stood with the stick upraised, glaring
at Uncas, my own sympathies (if my own fancy has not tricked me again)
were with father. My heart ached for him.
He was saved by mother. She came to the door of the shed and stood
looking at him and his eyes wavered, and then he threw the stick back
upon the pile from which he had taken it and went silently away. I
remembered that he tramped off to Main Street and that, later in the
evening when he came back to the house, he was drunk and went drunken
to bed. The trick of drunkenness had saved him from the ordeal of
looking into the eyes of Uncas or of mother, as so often words have
later saved me from meeting fairly some absurd position into which I
have got myself.
* * * * *
And so there was I now, in the bed and up to one of father’s tricks:
upstart that I was, dog of a Huron myself, I was trembling for mother
and for Uncas--two people very well able to take care of themselves.
Mother dropped my hand and took the outstretched hand of my brother.
“What happened?” she asked.
And Uncas told her, fairly and squarely. “He was a cry-baby and a
big calf and I walloped him one. I wanted the hatchet and so I took
it--that’s what I did. I banged him one on the nose and jerked it out
of his hand.”
Mother laughed--a queer unmirthful little laugh. It was the kind of
laugh that hurts. There was irony in it and that got to Uncas at once.
“It doesn’t take much of a fellow to snatch a hatchet out of the hands
of a cry-baby,” she said.
That was all. She kept on rubbing his hands and now it was my eyes, and
not the eyes of Uncas, that could look directly into our mother’s eyes.
Perhaps it was in that moment, and not in the moment when I lay on the
ground peeking through the crack into the shed, that the first dim
traces of understanding of all such fellows as father and myself came
to me. I looked at mother with adoration in my own eyes, and when she
had taken the kerosene lamp and had gone away, and when we boys were
all again curled quietly like sleeping puppies in the bed, I cried a
little, as I am sure father must have cried sometimes when there was
no one about. Perhaps his getting drunk, as he did on all possible
occasions, was a way of crying too.
Public-domain text, read in full here on John Shaqi.
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