ON an evening of the late summer I got off a train at a growing Ohio industrial town where I had once lived. I was rapidly becoming a middle-aged man. Two years before I had left the place in disgrace. There I had tried to be a manufacturer, a moneymaker, and had failed, and I had been trying and failing ever since. In the town some thousands of dollars had been lost for others. An effort to conform to the standard dreams of the men of my times had failed and in the midst of my disgrace and generally hopeless outlook, as regards making a living, I had been filled with joy at coming to the end of it all. One morning I had left the place afoot, leaving my poor little factory, like an illegitimate child, on another man’s doorstep. I had left, merely taking what money was in my pocket, some eight or ten dollars. What a moment that leaving had been! To one of the European artists I afterward came to know the situation would have been unbelievably grotesque. Such a man could not have believed in my earnestness about it all and would have thought my feelings of the moment a worked-up thing. I can in fancy hear one of the Frenchmen, Italians or Russians I later knew laughing at me. “Well, but why get so worked up? A factory is a factory, is it not? Why may not one break it like an empty bottle? You have lost some money for others? See the light on that field over there. These others, for whom you lost money, were they compelled to beg in the streets, were their children torn by wolves? What is it you Americans get so excited about when a little money is lost?” A European artist may not understand but an American will understand. The devil! It is not a question of money. No men are so careless and free with money as the Americans. There is another matter involved.