A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
It strikes rather deeply at the roots of our beings. Childish as it
all may have seemed to an older and more sophisticated world, we
Americans, from the beginning, have been up to something, or we have
wanted to think we were up to something. We came here, or our fathers
or grandfathers came here, from a hundred diverse places--and you may
be sure it was not the artists who came. Artists do not want to cut
down trees, root stumps out of the ground, build towns and railroads.
The artist wants to sit with a strip of canvas before him, face an
open space on a wall, carve a bit of wood, make combinations of words
and sentences, as I am doing now--and try to express to others some
thought or feeling of his own. He wants to dream of color, to lay hold
of form, free the sensual in himself, live more fully and freely in
his contact with the materials before him than he can possibly live
in life. He seeks a kind of controlled ecstasy and is a man with a
passion, a “nut,” as we love to say in America. And very often, when he
is not in actual contact with his materials, he is a much more vain and
disagreeable ass than any man, not an artist, could possibly be. As a
living man he is almost always a pest. It is only when dead he begins
to have value.
The simple truth is that in a European country the artist is more
freely accepted than he is among us, and only because he has been
longer about. They know how harmless he really is--or rather do not
know how subtly dangerous he can be--and accept him only as one might
accept a hybrid cross between a dog and a cat that went growling mewing
barking and spitting about the house. One might want to kill the first
of such strange beasts one sees but after one has seen a dozen and has
realized that, like the mule, they cannot breed their own kind one
laughs and lets them live, paying no more attention to them than modern
France for example pays to its artists.
But in America things are somewhat different. Here something went
wrong in the beginning. We pretended to so much and were going to do
such great things here. This vast land was to be a refuge for all the
outlawed brave foolish folk of the world. The declaration of the rights
of man was to have a new hearing in a new place. The devil! We did get
ourselves into a bad hole. We were going to be superhuman and it turned
out we were sons of men who were not such devilish fellows after all.
You cannot blame us that we are somewhat reluctant about finding out
the very human things concerning ourselves. One does so hate to come
down off the perch.
Public-domain text, read in full here on John Shaqi.
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