A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
And, in any event, neither New York nor Chicago has any cafés. When I
first went to New York drinking was still publicly going on but one
stood up at a bar with the foot on a rail and shot the drink into
oneself. There might be a moment of conversation with the bartender.
“What chance you think the Giants got?” etc. Nothing specially helpful
in that and anyway what one secretly hoped was that the White Sox of
Chicago would win.
Everyone lived in rooms, except those who had rich parents and most
young American artists gathered in the city, ate at cafeterias. In
Chicago, before I left, they had begun taking the chairs out of the
restaurants and one fancied that, in a few years, all Chicagoans would
eat as they drank, standing. It would save time.
We more solemn and serious American scribblers, painters, etc., for the
most part lived in rooms and I have myself a memory of rooms in which
I have lived, that is like a desert trail. I can no longer recall all
of them. In a sense they haunt my whole life. At a little distance they
become gray, little gray holes into which I have crept.
And we Americans have enough of the blood of the northern races in
us that we must have our holes into which to creep, to contemplate
ourselves, to say our prayers. In Paris, during a summer when I
loitered there, I found myself able to sit all afternoon in a café,
watching the people pass up and down a little street. At another café
across a small square a young student made love to a girl. He kept
touching her body with his hands and laughing and occasionally he
kissed her. That happened and carts passed. One side of my mind made
little delightful mental notes. The French teamsters did not make
geldings of their horses. Magnificent stallions passed drawing dust
carts. Why did Americans unman stallions while the French did not? The
teamster walked in the road with his hat cocked to the side of his
head and a bit of color in the hat. The stallion threw back his head
and trumpeted. The teamster made some sort of sarcastic comment to the
student with the girl, who answered in kind but did not quit kissing
her. There was a small church on the west side of the square and old
women were going in and coming out. All these things happened and I
was alive to them all and still I sat in a café writing a tale of life
in my own Ohio towns. How natural it seemed, in Paris, to lead one’s
secret inner life quite openly in the streets and how unnatural the
same sort of thing would have seemed in an American city.
Public-domain text, read in full here on John Shaqi.
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