A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
In Chicago alone there had been enough rooms, in which I myself had
lived, had hidden myself away, to have made a long street of houses.
How much had my own outlook on life been made by the rooms? How much
were the lives of all Americans made by the places in which they lived?
When Americans grew tired of their houses--or rooms--and went into the
street there was no place to sit unless one went into a movie or went
to eat expensive and unnecessary food in a crowded restaurant. In the
movies signs were put up: “Best place in town to kill time.”
Time then was a thing to be killed. It would seem an odd notion, I
fancy, to a Frenchman or an Italian.
NOTE IX
ONE goes from Chicago to New York on a modern train very quickly
but in the short time while the train is tearing along, while one
sleeps and awakens once, one cuts the distance between oneself and
Europe immeasurably. To the American, and in spite of the later
disillusionment brought by the World War Europe remained the old home
of the crafts. Even as the train goes eastward in one’s own country,
there is an inner ferment of excitement. Turgenev, Gogol, Fielding,
Cervantes, De Foe, Balzac--what mighty names marched through the mind
with the click of the car wheels. To the man of the American West how
much the East means. How deeply buried the great European craftsmen
had been in the soil out of which they had come. How intimately they
had known their own peoples and with what infinite delicacy and
understanding they had spoken out of them. As one sat in the train one
found oneself bitterly condemning many of our own older craftsmen for
selling out their inheritances, for selling out the younger men, too.
Why were they not more consciously aware of what they, as craftsmen,
were at? What had they got--a few automobiles, suburban homes, a little
cheap acclaim.
Moments of wrath and then a smile too. “My boy, my boy, keep your shirt
on!”
In the next seat a Detroit man talking loudly. “Advertising pays. What
you got to do is put it across in a hurry.”
Only yesterday there was myself too, talking so, pounding tables in
offices, crying the gospel of size, of hustle.
“Keep your shirt on! Listen! You are starting rather late to do much.
Perhaps if you are patient, if you listen work and learn you shall yet
tell delicately a few tales.”
As one approaches the Atlantic Coast there is a feeling comes that one,
not born, not having lived, through youth and young manhood in the
Middle or Far West will never quite understand. Near my own room in the
city, lying in the Hudson River, were vessels that to-morrow would set
sail for Europe, other vessels that had arrived from Europe but the
day before. As I lay on my cot in my room at night I could hear the
steamboats crying in the river. At night when there was a fog they were
like cows lost in a forest, somewhere out in the Middle West, lost and
bawling for the warm barns.
Public-domain text, read in full here on John Shaqi.
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