A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
The three of them just suddenly came out of the church together and
walked away together in silence. That was all. All tales presented
themselves to the fancy in just that way. There was a suggestion, a
hint given. In a crowd of faces in a crowded street one face suddenly
jumped out. It had a tale to tell, was crying its tale to the streets
but at best one got only a fragment of it. Once, long after the time
of which I am now writing, I tried to paint in an American desert.
There was something about the light. My eyes were not accustomed to
it. There was a wide desert and beyond the desert hills floating away
into the distance. I could lie on my back on the sands of the desert
and watch the evening light fade away over the hills and such forms
come! I thought all I had ever felt could be expressed in one painting
of those hills but when later I took a brush into my hands I was only
dumb and stupid. What appeared on the canvas was dull and meaningless.
I walked about swearing at myself and then at the desert light and the
very hills that so short a time before had so filled me with peace and
happiness. I kept blaming the light. “Nothing stands still in this
light,” I said to myself.
As though anything ever stood still anywhere. It was the artist’s
business to make it stand still--well, just to fix the moment, in a
painting, in a tale, in a poem.
Sitting there with my friend, facing the cathedral, I remembered
something. On my desk, somewhere back in America, was a book in which I
had once written certain lines. Well, I had made a poem and had called
it, “One who would not grow old.” Now it came sharply back:
I have wished that the wind would stop blowing, that birds would stop
dead still in their flight, without falling into the sea, that waves
would stand ready to break upon shores without breaking, that all
time, all impulse, all movement, mood, hungers, everything would stop
and stand hushed and still for a moment.
It would be wonderful to be sitting on a log in a forest when it
happened.
When all was still and hushed, just as I have described, we would get
off the log and walk a little way.
The insects would all lie still on the ground or float, fixed and
silent in the air. An old frog, that lived under a stone and that had
opened his mouth to snap at a fly, would sit gaping.
There would be no movement, in New York, in Detroit, in Chicago down
by the stock exchange, in towns, in factories, on farms.
Out in Colorado, where a man was riding a horse furiously, striving to
catch a steer to be sent to Chicago and butchered--
He would stop, too, and the steer would stop.
You and I would walk a little way, in the forest, or on a prairie, or
on the streets of a town, and then we would stop. We would be the only
moving things in the world and then one of us would start a thought
rolling and rolling, down time, down space, down mind, down life too.
Public-domain text, read in full here on John Shaqi.
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