A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
He plunged downward, getting clear of the trees, running across a
field--the soft mud clinging to his feet--and so skirted the house and
got to where there was a small creek down which he went for a mile
in the darkness, walking in the cold water that often came up to his
waist. That was to throw dogs off his trail, as any schoolboy should
know.
By making a great circle he got back into the road, by which he and the
other prisoners had been marched from his own father’s house. They had
come some twelve miles during the day and early evening, but the night
was still young and, after he had gone three or four miles, he knew a
short cut through the woods by which several miles could be cut off.
And so, you see, father went back again to his old home after all and
once again saw the sister he loved. The dawn was just breaking when he
arrived, but the dogs knew him and the negroes knew him. The very negro
who had held the light while his mother spat at the prisoners hid him
away in the loft of a barn and brought him food.
Not only food was brought, but also a suit of his own clothes that had
been left in the house.
And so he stayed hidden in the loft for three days, and then another
night came when it rained and was dark.
Then he crept out, with food for the needs of his journey, and knowing
that, when he had walked for a mile along the road that led back toward
the distant Union camp, a negro would be standing in a little grove
with a good horse saddled and bridled for him. The negro, in the late
afternoon, had gone off to a distant town, ostensibly for mail and was
to be bound to a tree where he would be discovered later by a party of
other negroes sent in search of him. Oh, all was arranged--everything
elaborately planned to ward off, from his helpers, the wrath of the
mother.
There was the night and the rain, and father, with a dark cloak now
about his shoulders, creeping from the stables and toward the house. By
the window of one of the rooms downstairs his young sister sat playing
an organ, and so he crept to the window and stood for a time looking.
Ah; there was moving-picture stuff for your soul! Why, oh why, did not
father live in another and later generation? In what affluence might
we not all have flourished! The old homestead, a fire burning in the
grate, the stern and relentless parent, and outside in the cold and wet
father, the outcast son, the disowned, the homeless one, about to ride
off into the night in the service of his country--never to return.
On the organ his sister would have been playing “The Last Link is
Broken,” and there stands father with the great tears rolling down his
cheeks.
Then to ride away into the night, to fight again for the flag he loved,
and that to him meant more than home, more than family--ah! more than
the love of the woman who was long afterward to come into his life, and
to console him somewhat for the fair sister he had lost.
Public-domain text, read in full here on John Shaqi.
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