A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
American towns, and in particular American towns of the Middle West
of twenty years ago, were not built for beauty, they were not built
to be lived in permanently. A dreadful desire of escape, of physical
escape, must have got, like a disease, into our father’s brains. How
they pitched the towns and cities together! What an insanity! The lad
we have together invented, to walk at evening in the streets of such a
town, must of necessity be more beautiful than all the hurriedly built
towns and cities in which he may walk. True immaturity of the body and
the spirit is more beautiful than mere tired-out physical maturity: the
physical maturity of men and women that has no spiritual counterpart
within itself falls quickly into physical and ugly decay--like the
cheaply constructed frame houses of so many of our towns.
The lad of our fancy walks in the streets of a town hurriedly thrown
together, striving to dream his dreams, and must continue for a long
time to walk in the midst of such ugliness. The cheap, hurried, ugly
construction of America’s physical life still goes on and on. The idea
of permanent residence has not taken hold on us. Our imaginations are
not yet fired by love of our native soil.
The American boy of our mutual imaginative creation is walking in the
streets of an Ohio town, after the factories have begun coming and
the day of the hustlers is at hand, the houses of the town pushed up
quickly, people swarming into the town who have no notion of staying
there--a surprising number of them will stay, but they have, at first,
no intention of staying.
Before the boy’s day how slow the growth of the towns! There were the
people of an older generation, coming out slowly to the Middle West,
from New York state, from Pennsylvania, from New England--a great
many to my own Ohio country from New England. They had come drifting
in slowly, bringing traces of old customs, sayings, religions,
prejudices. The young farmers came first, glad of the rich free soil
and the friendlier climate--strong young males that were to come in
such numbers as to leave New England, with its small fields and its
thinner, stonier soil, a place of aging maiden ladies--that old-maid
civilization that was, nevertheless, to be the seat of our American
culture. An insane fear of the flesh, a touch of transcendentalism, a
reaching always up into the sky. In the ground underfoot there is only
fear, poverty, hardship. One must look upward, always upward.
What of the sensual love of life, of surfaces, words with a rich flavor
on the tongue, colors, the soft texture of the skin of women, the play
of muscles through the bodies of men?
The cry of fear--“that way lies sin.”
Public-domain text, read in full here on John Shaqi.
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