“I cannot live with her. She is too good, too brave,” said my fanciful father, staggering through the door and dragging his woman after him. Outside the door I heard him still talking loudly to his new woman as they went away. “Our Anglo-Saxon women are the most wonderful creatures in the world,” I heard him saying. “In a few years now they will run the world.” * * * * * It was growing dark in the hayloft in the barn in the state of Ohio. Did I, as I lay deeply buried in the warm hay, really imagine the absurd scene depicted above? Although I was very young I had already read many novels and stories. In any event the whole silly affair has remained in my fancy for years. When I was a lad I played with such fanciful scenes as other boys play with brightly colored marbles. From the beginning there has been, as opposed to my actual life, these grotesque fancies. Later, to be sure, I did acquire more or less skill in bringing them more and more closely into the world of the actual. They were but the raw materials with which the story-writer must work as the worker in woods works with trees cut in a forest. As for the fancies themselves, they have always seemed to me like trees that have grown without having been planted. Later, after the period in my own life of which I am now writing, I worked for many years as a laborer in many places, and gradually as I stood all day beside a lathe in some factory, or later went about among business men trying to sell some article, in which I was myself not interested, I began to look at other men and to wonder what absurd fancies went on in secret within them. There was that curiosity and there was something else. I had perhaps, as I have no doubt all people have, a great desire to be loved and a little respected. My own fancies rule me. Even to-day I cannot go into a movie theatre and see there some such national hero as, say, Bill Hart, without wishing myself such another. In the theatre I sit looking at the people and see how they are all absorbed in the affairs of the man on the stage. Now he springs lightly off a horse and goes toward the door of a lonely cabin. We, in the theatre, know that within the cabin are some ten desperate men all heavily armed with guns and with them, bound to a chair, is a fair woman, another virgin got off the reservation, as it were. Bill stops at the door of the cabin and takes a careful look at his guns, and we, in the audience, know well enough that in a few minutes now he will go inside and just shoot all of those ten fellows in there to death, fairly make sieves of them, and that he will get wounded himself but not seriously--just enough to need the help of the virgin in getting out of the cabin and onto his horse--so he can ride to her father’s ranch house and go to bed and get well after a while, in time for the wedding.