A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
And there were the visions I had seen in the vacant lot. It may be
that I thought then that all my fellows lived as I did, having quite
conscious and separate inner and outer lives going on in the same
body that they were trying to bring into accord. As for myself I saw
visions, had from boyhood been seeing visions. Moments of extreme
exaltation were followed by times of terrible depression. Were all
people really like that? The visions were sometimes stronger than the
reality of life about me. Might it not be that they were the reality,
that they existed rather than myself--that is to say, rather than my
physical self and the physical fact of the men and women among whom I
then worked and lived, rather than the physical fact of the ugly rooms
in ugly houses in ugly streets?
Was there a consciousness of something wrong, a consciousness we all
had and were ashamed of?
There was the vacant lot in which an hour before I had seen the
marching soldiers and the beautifully gowned men and women walking
about. Why might that not exist as really as the half-drunken
teamsters, myself, the irritated athlete and the piles of unsightly
rubbish?
Perhaps it did exist in all of us. Perhaps the others saw what I saw.
At that time I had a great deal of faith in a belief of my own that
there existed a kind of secret and well-nigh universal conspiracy to
insist on ugliness. “It’s just a kind of boyish trick we’re up to,
myself and the others,” I sometimes told myself, and there were times
when I became almost convinced that if I just went suddenly up behind
any man or any woman and said “boo” he or she would come out of it and
I would come out of it, and we would march off arm in arm laughing at
ourselves and everyone else and having really quite a wonderful time.
I had decided to try to say “boo” to Nora, I fancy. There I was in the
room with her (I had been in the house about three days and had only
seen her and heard her name spoken once before, when she was sweeping
out the hallway by my door), and now she was throwing the covers back
over the soiled sheets on my bed and there was dust on the window panes
and streaks along the wall paper, while the floor of the room had been
given but two or three careless whisks with a broom. Nora was making
the bed and back of her head, as she leaned over to do the job, there
was a picture on the wall, a picture of five or six water lilies lying
on a table. There was a streak of dust down across the white face of
the lilies and at that moment a cloud of dust, stirred up by the heavy
trucks now going homeward along the street, floated just outside the
window.
“Well, Miss Nora,” I suddenly said after I had been standing in
the room for a moment, silently and boldly staring at her. I began
advancing toward her and no doubt my eyes were shining with enthusiasm.
I dare say I was pretty drunk but I am sure I walked steadily. “Well,”
I cried in a loud voice, “what are you up to there?”
Public-domain text, read in full here on John Shaqi.
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