A Strange World: A Novel. Volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
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A Strange World: A Novel. Volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Mr. Clissold exchanged his front seat for a place on the hindmost bench
before 'The Stranger' was halfway through his troubles, and here,
secure in the shade, slept comfortably. James Penwyn endured two acts
and a half, and then, remembering Mr. Elgood's offer to show him life
behind the scenes, slipped quietly out of the dress-circle, and asked
the boxkeeper how he was to get to the side scenes.
That official, sweetened by a liberal donation, unlocked a little door
behind the proscenium box, a door sacred to the manager, and let Mr.
Penwyn through into the mystic world of behind the scenes. He would
hardly have done such a thing under a responsible lessee, but in a
commonwealth morals become relaxed.
The mystic world looked dark and dusty, and smelt of gas and dirt, to
the unaccustomed senses of Mr. Penwyn.
The voices on the stage sounded loud and harsh now that they were so
near his ear. There was hardly room for him to move between the side
scenes and the wall—indeed, it was only by screwing himself against
this whitewashed wall that he made his way in the direction which a
scene-shifter had indicated as the way to the green-room.
Mr. Penwyn's experience of life had never before led him behind the
scenes. He had a vague idea that a green-room was a dazzling saloon,
lighted by crystal chandeliers, lined with mirrors, furnished with
divans of ruby velvet, an idealized copy of a club-house smoking-room.
He found himself in a small dingy chamber, carpetless, curtainless,
uncleanly, provided with narrow baize-covered benches and embellished
with one cloudy looking-glass, on either side whereof flared an
unscreened gas jet.
Here over the narrow wooden mantelshelf hung castes of pieces in
preparation, 'Jack Sheppard,' 'Delicate Ground,' 'Courier of Lyons,'
'Box and Cox,' a wide range of dramatic art, and calls for next day's
rehearsal. Here, in divers attitudes of weariness, lounged various
members of the dramatic commonwealth; among them Mr. Elgood, in the
frogged coat, crimson worsted pantaloons and Hessian boots of the
Baron; and Justina, seated disconsolately, with her limp satin trailing
over the narrow bench beside her, studying her part in the piece for
to-morrow night.
'My dear sir,' exclaimed Matthew Elgood, shaking hands with enthusiasm,
'this is kind! Dempson,'—this to a gentleman in mufti, small, sallow,
close-cropped, and smelling of stale tobacco—'this is my pioneer of
to-day. Mr. Dempson, Mr.?—stay, we did not exchange cards.'
'Penwyn,' said James, smiling.
Mr. Elgood stared at the speaker curiously, as if he hardly believed
his own ears, as if this name of Penwyn had some strange significance
for him.
'Penwyn,' he repeated, 'that's a Cornish name isn't it?'
Public-domain text, read in full here on John Shaqi.
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