A Strange World: A Novel. Volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
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A Strange World: A Novel. Volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
This was going further than Mr. Penwyn's usual limits. The man was the
very soul of prudence. No sweet words, no tender promises, had ever
passed between these two, and yet they knew themselves beloved. Madge
knew it to her sorrow, for she was fain to admit the wisdom of the
dowager's warning. It would never do for her to marry Churchill Penwyn.
Happily for her, up to this time Churchill had never asked her to be
his wife.
'He is too wise,' she said to herself, with the faintest touch of
bitterness. 'Too much a man of the world.'
But that this man of the world loved her she was very sure.
For just ten minutes they sat side by side, talking of indifferent
things, but only as people talk who are not quite indifferent to each
other. And then more visitors were announced. Sir Nugent and his
friends came upstairs; the rooms began to fill. Musical people arrived.
A German with long rough hair, bony wrists, and an eye-glass, seated
himself at the piano, and began a performance of so strictly classical
a character that he had the enjoyment of it all to himself, for nobody
else listened. Minor chords chased one another backwards and forwards
about the middle of the piano as if they were hunting for the melody
and couldn't find it. Little runs and arpeggio passages went under
and over each other, and wriggled in and out and up and down in a
distracted way, still searching for the subject, and finally gave up
the quest in utter despair, appropriately expressed by vague grumblings
in the bass, which slowly faded into silence. Whereupon every one
became enthusiastic in their admiration.
After this a young lady in pink sang an airy little _chanson_, with
elaborate variations—using her bright soprano voice as freely as if
she had been Philomel, trilling her vespers in the dusky woods of June.
And then Madge Bellingham sat down to the piano, and played as few
young ladies play—as if her glad young soul were in the music.
Public-domain text, read in full here on John Shaqi.
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