'No good looks! Well, I'm not so sure about that,' said the father, thoughtfully. 'Talent, I admit, you are deficient of, Judy; but your looks even now are by no means despicable, and will improve with time. You have a fine pair of eyes, and a complexion that lights up uncommonly well. I have seen leading ladies earning their three to four guineas a week with less personal advantages.' 'I wish I could earn a good salary, father, for your sake; but I should never be fond of acting. I've seen too much of the theatre. If I'd been a young lady, now, shut up in a drawing-room all my life, and brought to the theatre for the first time to see "Romeo and Juliet," I could fancy myself wanting to play Juliet; but I've seen too much of the ladder Juliet stands on in the balcony scene, and the dirty-looking man that holds it steady for her, and the way she quarrels with Mrs. Wappers the nurse, between the acts. I've read the play often, father, since you've told me to study Juliet, and I've tried to fancy her a real living woman in Verona, under a cloudless sky, as blue as these flowers—but I can't—I can only think of Miss Villeroy, in her whitey-brown satin, and Mrs. Wappers, in her old green and yellow brocade,—and the battered old garden scene—and the palace flats we use so often—and the scene-shifters in their dirty shirt-sleeves. All the poetry has been taken out of it for me, father.' 'That's because yours is a commonplace mind, child,' answered Mr. Elgood, with a superior air. 'Look at me, now! If I feel as dull as ditchwater when I go on the stage, the first hearty round of applause kindles the poetic fire, and the second fans it into a blaze. The divine _afflatus_, Judy; that's what you want, the _afflatus_!' 'I suppose you mean applause, father. I know I don't get much of that.' 'No, Justina, I mean the breath of the gods—the sacred wind which breathes from the nostrils of genius, which gives life and shape to the imaginings of the dramatic poet, which inspires a Kean,—and, occasionally, an Elgood. I suppose you didn't hear of their encoring my exit in Iago on Tuesday night?' 'Yes, father, I heard of it.' 'Come, Judy, we must be going,' said Mr. Elgood, raising himself from his luxurious repose among the buttercups, after looking at a battered silver watch; 'it's past four, and we've a good two miles to walk before we get our teas.' 'Oh, how I wish we could stay here just as long as we like—and then go quietly home in the starlight to some cottage among those trees over there.' 'Cottages among trees are proverbially damp, and the kind of existence you talk of—mooning about a meadow and going home to a cottage—would be intolerably dull for a man with any pretension to intellect.' 'Oh, father, we might have books and music, and flowers, and birds, and animals, and a few friends, perhaps, who would like us and respect us—if we were not on the stage. I don't think we need be dull.'