A Strange World: A Novel. Volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
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A Strange World: A Novel. Volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
The strangers approached at a leisurely pace. Two men in the
spring-time of their youth, clothed in grey. One tall, strong of limb,
broad of chest, somewhat slovenly of attire; loose cravat, grey felt
hat, stout, sportsmanlike boots, fishing-rod under his arm. The other
shorter, slighter, smaller, dressed with a certain girlish prettiness
and neatness that smacked of Eton.
Both were smoking as they came slowly strolling along the field path
on the other side of the irregular hawthorn hedge. The younger and
smaller held a paper cigarette between his girlish lips. The other
smoked a black-muzzled clay, which would not have been out of keeping
with the costume and bearing of an Irish navvy.
They came to a gap in the hedge, which brought them close to the
strollers.
'Gentlemen, can you enlighten me as to the nearest way to Eborsham?'
asked Mr. Elgood, with a grandiose air, which the prolonged exercise of
his avocation had made second nature.
The elder of the strangers stared at him blankly, with that unseeing
gaze of the deep thinker, and went on pulling at his blackened pipe.
The younger smiled kindly, and made haste to answer, with a shy
eagerness—just a little stammer in his speech at first—which was not
unpleasing.
'I really am at a loss to direct you,' he said. 'We are strangers here
ourselves—only came to Eborsham last night.'
'For the races, I opine?' interrupted Mr. Elgood.
'Not exactly for the races,' replied the young man, doubtfully.
'You came for the races, Jim,' said the taller stranger, looking down
at his companion as from an altitude of wisdom and experience. 'I came
to see that you were not fleeced. There are no rogues like the rogues
that haunt a racecourse.'
This with a dark glance at the actor.
'He looks the image of a tout,' thought the tall stranger. His fancies
had been up aloft in his own particular cloudland when the wayfarers
accosted him, and he was slowly coming down to the level of work-a-day
life. Only this instant had he become conscious of the girl's presence.
Justina stood in the shadow of her father's bulky figure, making
herself as narrow as she possibly could. Her detractors in the
theatre found fault with that narrowness of Justina's. She had
been disadvantageously likened to gas-pipes, May-poles, and other
unsubstantial objects, and was considered a mere profile of a girl, an
outline sketch, only worth half the salary that might have been given
to a plumper damsel.
'Good heavens, Elgood!' the manager had exclaimed once, when Justina
played a page, 'when will your daughter begin to have legs?'
The tall stranger's slow gaze had now descended upon Justina. To that
bashful maiden, conscious of her gawkiness, the darkly bright eyes
seemed awful as the front of Jove himself. She shrank behind her
father, dazzled as if by a sunburst. There was such power in Maurice
Clissold's face.
Public-domain text, read in full here on John Shaqi.
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