A Strange World: A Novel. Volume 2 (of 3)Braddon, M. E. (Mary Elizabeth)
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A Strange World: A Novel. Volume 2 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
‘It’s on the cards for her to do better, of course,’ reflected Mr.
Elgood; ‘actresses have married into the peerage before to-day, and no
end of them have married bankers and heavy mercantile swells. But,
after all, Justina isn’t the kind of beauty to take the world by
storm; and this success of hers may be only a flash in the pan. I
haven’t much confidence in the duration of this blessed new school of
acting, these drawing-room comedies, with their how-d’ye-do, and
won’t-you-take-a-chair dialogue. The good old heavy five-act drama
will have its turn by and by, when the public is tired of this milk
and water. And Justina has hardly physique enough for the five-act
drama. It might be a good thing to get her comfortably married if I
was quite clear about my own position.’
That was an all-important question. Justina single and on the stage
meant, at a minimum, six guineas a week at Mr. Elgood’s disposal. The
girl handed her salary over to the paternal exchequer without a
question, and was grateful for an occasional pound or two towards the
replenishment of her scanty wardrobe.
Mr. Elgood lost no time in trying to arrive at Maurice’s ideas upon this
subject.
‘It’s a hard thing for a man when he outlives his generation,’ he
remarked, plaintively, one Sunday evening when Maurice had dropped in
and found the comedian alone, Justina not having yet returned from
evening service at St. Pancras. ‘Here am I, in the prime of life, with
all my faculties in their full vigour, laid up in port, as useless a
creature as if I were a sheer hulk, like poor Tom Bowling—actually
dependent upon the industry of a girl! There’s something degrading in
the idea. If it were not for Justina, I’d accept an engagement for the
heavies at the lowest slum in London, roar my vitals out in three pieces
a night, rather than eat the bread of dependence. But Justina won’t have
it. “I want you to bring me home from the theatre of a night, father,”
she says. And that’s an argument I can’t resist. The streets of London
are no place for unprotected innocence after dark, and cabs are an
expensive luxury. Yet it’s a bitter thing to consider that if Justina
were to marry I should have to go to the workhouse.’
‘Hardly, if she married an honest man, Mr. Elgood,’ replied Maurice. ‘No
honest man would take your daughter away from you without making some
provision for your future.’
‘Well, I _have_ looked at it in that light,’ said Matthew, reflectively,
as if the question had thus dimly presented itself before him. ‘I think
an honest man wouldn’t feel it quite the right thing to take away my
bread-winner, and leave me to spend my declining days in want and
misery. Yet, as Shakespeare has it, “Age is unnecessary.” “Superfluous
lags the veteran on the stage.” “_To have done_ is to hang—
“Quite out of fashion, like a rusty nail,
In monumental mockery.”’
Public-domain text, read in full here on John Shaqi.
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