A Strange World: A Novel. Volume 2 (of 3)Braddon, M. E. (Mary Elizabeth)
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A Strange World: A Novel. Volume 2 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
‘Be assured, Mr. Elgood, that if your daughter marries a man who really
loves her, your age will not be uncared for.’
‘I do not wish to be a burden upon my child,’ pursued the actor,
tearfully.
His second tumbler of gin and water was nearly emptied by this time.
‘A hundred and four pounds per annum—two pounds a week—secured to me,
would give me all I ask of luxury; my lowly lodging, say in May’s Court,
St. Martin’s Lane, or somewhere between Blackfriars Bridge and the
Temple; my rasher or my bloater for breakfast, my beefsteak for dinner;
and my modest glass of gin and water hot, to soothe the tired nerves of
age. These, and an occasional ounce of tobacco, are all the old man
craves.’
‘Your desires are very modest, Mr. Elgood.’
‘They are, my dear boy. I would bear the pang of severance from my sweet
girl, if I saw her ascend to a loftier sphere, and keep my lowly place
without repining. But I should like the two pounds a week made as
certain as the law of the land could make it.’
This was a pretty clear declaration of his views, and having thus
expressed himself, Mr. Elgood allowed life to slip on pleasantly,
enjoying his comfortable little two o’clock dinners, and his afternoon
glass of gin and water, and dozing in his easy chair, while Maurice and
Justina read or talked, only waking at five o’clock when the dragon
teacups made a cheerful clatter, and Justina was prettily busy with the
task of tea-making.
Even the old common lodging-house sitting-room began by and by to assume
a brighter and more homelike air. A vase of choice flowers, a row of
books neatly arranged on the old-fashioned sideboard, a Bohemian glass
inkstand, clean muslin covers tacked over the faded chintz
chair-backs—small embellishments by which a woman makes the best of the
humblest materials. The dragon china tea-service was set out on the
chiffonier top when not in use, and made the chief ornament of the room.
Composition statuettes of Shakespeare and Dante, which Maurice had
bought from an itinerant image-seller, adorned the chimney-piece, whence
the landlady’s shepherd and shepherdess were banished.
In a scene so humble, in a circle so narrow, Maurice spent some of the
happiest hours of his life. He remembered Cavendish Square sometimes
with a pang, the shadowy drawing-room at twilight, the flower-screened
balcony, so pleasant a spot to linger in when the lamps were lighted in
the square below, and the long vista of Wigmore Street converged to a
glittering point, and the moon rose above the gloomy roof of Cavendish
House—hours of happiness as unalloyed—dreams that were over, days that
were gone. And he asked himself whether this second birth of joy was a
delusion and a snare like the first.
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CHAPTER XVIII
‘LOVE IS A THING TO WHICH WE SOON CONSENT.’
Public-domain text, read in full here on John Shaqi.
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