_The beautiful_. Closely related to this love of the
material is the sense of the beautiful. "Beauty is pleasure
regarded as the quality of a thing," says Santayana.
Pleasures of the eye and ear, of the imagination and memory,
are those most easily objectified, and form the groundwork
on which all higher beauty rests. The green of the spring,
the odor of Red Riding Hood's flowers, the splendor of the
Prince's ball in _Cinderella_--these when perceived
distinctly are intelligible, and when perceived delightfully
are beautiful. Language is a kind of music, too; the mode of
speaking, the sound of letters, the inflection of the
voice--all are elements of beauty. But this material beauty
is tied up in close association with things "eye hath not
seen nor ear heard," the moral beauty of the good and the
message of the true. The industry of the little Elves
reflects the worth of honest effort of the two aged
peasants, and the dance of the Goat and seven Kids reflects
the triumph of mother wit and the sharpness of love. The
good, the true, and the beautiful are inseparably linked in
the tale, just as they forever grow together in the life of
the child. The tales differ largely in the element of beauty
they present. Among those conspicuous for beauty may be
mentioned Andersen's _Thumbelina_; the Indian _How the Sun,
the Moon, and West Wind Went Out to Dinner_; the Japanese
_Mezumi, the Beautiful_; and the English _Robin's Christmas
Song. Little Two-Eyes_ stands out as one containing a large
element of beauty, and _Oeyvind and Marit_ represents in an
ideal way the possible union of the good, the true, and the
beautiful. This union of the good, the true, and the
beautiful has been expressed by an old Persian legend: "In
the midst of the light is the beautiful, in the midst of the
beautiful is the good, in the midst of the good is God, the
Eternal One."
_Wonder, mystery, magic_. The spirit of wonder, like a
will-o'-the-wisp, leads on through a fairy tale, enticing
the child who follows, knowing that something will happen,
and wondering what. When magic comes in he is gratified
because some one becomes master of the universe--Cinderella,
when she plants the hazel bough, and later goes to the
wishing-tree; the fairy godmother, when with her wand she
transforms a pumpkin to a gilded coach and six mice to
beautiful gray horses; Little Two-Eyes, when she says,--
Little kid, bleat,
I wish to eat!
and immediately her little table set with food so
marvelously appears; or Hop-o'-my-Thumb when he steps into
his Seven-League Boots and goes like the wind.
Public-domain text, read in full here on John Shaqi.
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