English fairy tales, 184-92;
collections of, 184-88;
illustrating development of illustration, 188-92;
by Jacobs, list, 247-48;
editions, 257.
Expression in:
language, 125-27;
reading, 127;
inquiry, 127-29;
construction, 129-30;
art, 130-54;
paper-cutting, 130-31;
drawing, 132;
painting, 132;
rhythm play, 133-34;
song, 132-33;
game, 134-35;
representation, 135-38;
dramatization, 138-54, 265-72.
Fairy,
derivation of, 159-60;
history of the name, 160.
Fairy tales: worth of, 1-12;
principles of selection for, 13-89;
telling of, 90-157;
history of, 158-203;
classes of, 204-44;
sources of material for, 245-64;
tributes to, 1-3;
interests in, 13-37;
as literature, 37-70;
as classics, 38-39;
possessing mind and soul, 39-40;
distinguished by marks of literature, 40;
as emotion, 41-45;
as imagination, 45-53;
philosophy in, 48-52;
proverbs in, 50;
as truth, 53-54;
as form, 54-70;
powers of words in, 54-57;
general qualities of form in, 57-58;
general principles controlling form in, 58-59;
style in, defined, 59-60;
tested as literary form, 60-70;
as a form of short-story, 70-87;
characters, 71-73;
plot, 73-77;
narration, 74-75;
description, 75;
structure, 76-77;
setting, 77-82;
three elements blended, 82-84;
tested by complete standards, 84-87;
teacher's preparation for telling, 94-102;
presentation of, by teacher, 102-19;
return of child from, 119-54;
rules for preparation of, 94-102;
selection of, 95-96;
motifs in, 96-98;
re-telling of, 101-02;
training of voice in telling, 103-04;
breathing in telling, 104-05;
gesture in telling, 105-06;
power of personality, in telling, 106-07;
suggestions for telling, 107-12;
establishment of personal relation in telling, 107-10;
placing of, in a concrete situation, 110-11;
conception of child's aim in listening to, 112;
re-creative method of telling, 112-17;
adaptation of, 117-19;
art of teaching, in telling, 119-25;
as expression of conversation, 125-27;
as expression of inquiry, 127-29;
as expression of construction, 129-30;
as expression of art, 130-54;
origin of, 158-67;
transmission of, 167-200;
French, 179-83;
Celtic, 183-84;
English, 184-92;
German, 192-93;
tales of other nations, 193-95;
American, 195-99;
collections of folklore, 200;
accumulative, 205-11;
animal, 211-17;
humorous, 217-23;
realistic, 223-28;
romantic, 228-34, 275-86;
old and modern, 234-43;
of Perrault, 246;
of the Grimms, 246-47;
Norse, 247;
English, by Jacobs, 247-48;
modern, by Andersen, 248;
Uncle Remus, by Harris, 248-49;
miscellaneous, 249-53;
bibliography of, 253-54;
in picture-books, 254-55;
in pictures, 255;
in poems, 255-56;
in standard books, 256-58;
of all nations, 258-59;
in miscellaneous editions, 259-62;
in school editions, 262-64;
in Appendix, 265-90.
Familiar, the, 14-15.
Fancy, 46, 47.
Fir Tree, 151-53.
Public-domain text, read in full here on John Shaqi.
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