A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth.: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 467-522Cushing, Frank Hamilton
History
A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth.: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 467-522
Cushing, Frank Hamilton
Indian pottery -- North America; Zuni Indians
Of methods, four were in vogue. The simplest and worst consisted in
burying the vessel to be burned under hot ashes and building a fire
around it, or inverting it over a bed of embers and encircling it with
a blazing fire of brush-wood, as is still the practice of the
Maricopas and other sedentary tribes of the Gila. The most common was
building a little cone or dome of fuel over the articles to be baked
and firing; the most perfect was to dig or construct under ground a
little cist or kiln, line it evenly with fuel, leaving a central space
for the green ware, and slowly fire the whole mass.
Irrespective of the kind of fuel used, the baking by ash-burial made
the ware gray, cloudy, or dingy, and not very durable. Pottery burned
with sage or grease-wood was firm, light gray unless of ocherous clay,
less cloudy than if ash-baked, yet mottled. Turf and dung, although
easily managed, did not thoroughly harden the pottery, but burned it
very evenly; dead wood or spunk-cakes baked as evenly as any of the
materials thus far mentioned, and more thoroughly than the others.
Resinous or pitchy woods, while they produced a much higher degree of
heat, could be used only when color was unimportant, as they still are
used to some extent in the firing of black-ware or cooking pots. The
latter, while still hot from a preliminary burning, if coated
externally with the mucilaginous juice of green cactus, internally
with piñon gum or pitch, and fired a second or even a third time with
resinous wood-fuel, are rendered absolutely fire-proof, semi-glazed
with a black gloss inside, and wonderfully durable. Tradition
represents that by far the most perfect fuel was found to be cannel
coal, and that, where abundant, accessible, and of an extremely
bituminous quality, it was much used. The traces of little pit-kilns
filled with, cinders of mineral coal about many of the ruins in the
northwestern portion of the Pueblo region, coupled with the
semi-fusion and well-preserved condition of most of the ancient jars
found associated with them, certainly give support to this tradition.
Happily I have additional confirmation. When, two years ago, I was
engaged in making ethnologic collections at Moki for the United States
National Museum, some Indians of the _Te wa_ pueblo brought me a
quantity of pottery. It had been made with the purpose of deceiving
me, in careful imitation of ancient types, and was certainly equal to
the latter in lightness and the condition of the burning. I paid these
enterprising Indians as good a price as they had been accustomed to
getting for genuine ancient specimens, but told them that, being a
Zuñi, I was almost one of themselves, hence they could not deceive me,
and asked them how they had so cleverly succeeded in burning the ware.
They laughingly replied that they had simply dug some bituminous coal
(_u á ko_) and used it in little pits. When I further asked them why
they did not burn their household utensils thus, they said it was too
Public-domain text, read in full here on John Shaqi.
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