It is not easy to form any precise image of the earthquake as it
appeared to the terrified witnesses within the meizoseismal area. To
minds unbalanced by the suddenness of the shock and by the crash of
falling houses, actuated too by the intense need of safety, the mere
succession of events must have presented but little interest. The
interval of two months that elapsed between the occurrence of the
earthquake and its investigation was also unfavourable to the
collection of accurate accounts from a wonder-loving people. Only one
feature, therefore, stands out clearly in the few records given by
Mallet--namely, the division of the shock into two distinct parts.
In the central district, this division is perhaps less apparent than
elsewhere. At Polla, for instance, which lies close to the north-west
epicentre, the first warning was given by a rushing sound; almost
instantly, and while it was yet heard, came a strong subsultory or
up-and-down movement, succeeded after a few seconds, but without any
interval, by an undulatory motion. At Potenza, which is not far from
the same epicentre but a few miles outside the meizoseismal area, the
separation was more pronounced. According to one observer, the first
movement was from west to east; and, within a second or two
afterwards, there was a less violent shock in a transverse direction,
followed immediately by a shaking in all directions, called by the
Italians vorticose. Naples lies sixty-nine miles from the north-west
epicentre, and here more accurate observations could be made. Dr.
Lardner, well known fifty years ago as a writer of scientific works,
describes the first movement felt there as "a short, jarring,
horizontal oscillation, that made all doors and windows rattle, and
the floors and furniture creak. This ceased, and after an interval
that seemed but a few seconds was renewed with greater violence, and,
he thought, with a distinctly undulatory movement, 'like that in the
cabin of a small vessel in a very short chopping sea.'"
Public-domain text, read in full here on John Shaqi.
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