§ 166. Judging from Mr. Bushotter’s first text, the tents are not pitched when the people return with the sun pole. But as soon as they lay the pole in the place where it is to be erected, the tents are pitched again. Then all the objects that are to be attached to the sun pole are tied to it, and some of the men take leather straps, such as the women use when they carry wood and other burdens, and fasten them to the sun pole in order to raise it into position. RAISING THE SUN POLE. § 167. This raising of the sun pole seems to be symbolic of the four winds, the tatúye tópa, or “the four quarters of the heavens,” as Dr. Riggs translates the Dakota term. Those who assist in raising the sun pole must be men who have distinguished themselves. They raise the pole a short distance from the ground, and then they shout, making an indistinct sound; they rest awhile and pull it a little higher, shouting again; resting a second time, they renew their efforts, pulling it higher still. They shout the third time, rest again, and at the fourth pull the pole is perpendicular. Then the men around the camping circle fire guns, making the horses flee. Those who raised the pole have a new spade, and they use it one after another in throwing a sufficient quantity of earth around the base of the pole, pressing the earth down firmly in order to steady the pole. BUILDING OF DANCING LODGE. § 168. Next follows the building of the dancing lodge. (See Pl. XLVI. and § 317.) Forked posts are set in the ground in two concentric circles. Those posts forming the circle nearer the sun pole are a few feet higher than the posts in the outer circle, thus making a slant sufficient for a roof. From the inner circle of posts to the sun pole there is no roof, as the dancers who stand near the pole must see the sun and moon. From each forked post to the next one in the same circle is laid a tent pole; and on the two series of these horizontal tent-poles are placed the saplings or poles forming the roof. In constructing the wall of the dancing lodge they use the leaf shields, and probably some poles or branches of trees, the shields and leaves stuck in the wall here and there, in no regular order, leaving interstices through which the spectators can peep at the dancers. A very wide entrance is made, through which can be taken a horse, as well as the numerous offerings brought to be given away to the poor. Then they smoke the pipe, as in that manner they think that they can induce their Great Mysterious One to smoke.