§ 169. All having been made ready, the aged men and the chief men of the camp kick off their leggins and moccasins, and as many as have pistols take them to the dancing lodge, around the interior of which they perform a dance. As they pass around the sun pole, all shoot at once at the objects suspended from the pole (§ 164), knocking them aside suddenly. Leaving the dancing lodge, they dance around the interior of the camping circle till they reach their respective tents. THE UUȻITA. § 170. This is followed by the “uuȼita.” Each man ties up the tail of his horse and dresses himself in his best attire. When they are ready, they proceed two abreast around the interior of the camping circle, shooting into the ground as they pass along, and filling the entire area with smoke. There are so many of them that they extend almost around the entire circle. If any of the riders are thrown from their horses as they dash along, the others pay no attention to them, but step over them, regarding nothing but the center of the camping circle. (See Pl. XLV.) § 171. By this time it is nearly sunset. The young men and young women mount horses and proceed in pairs, a young man beside a young woman, singing as they pass slowly around the circle. The young men sing first, and the young women respond, acting as a chorus. That night the tent of preparation is again erected. The candidates dance there. The people gaze towards that tent, for it is rumored that the candidates will march forth from it. [Illustration: BUREAU OF ETHNOLOGY. ELEVENTH ANNUAL REPORT. PLATE XLVI. [image] GAST LITH. CO. THE DANCING LODGE.] DECORATION OF CANDIDATES OR DEVOTEES. § 172. The candidates spend the night in decorating themselves. Each one wears a fine scarlet blanket arranged as a skirt and with a good belt fastened around his waist. From the waist up he is nude, and on his chest he paints some design. Sometimes the design is a sunflower. A man can paint the designs referring to the brave deeds of his father, his mother’s brother, or of some other kinsman, if he himself has done nothing worthy of commemoration. If a man has killed an animal, he can paint the sign of the animal on his chest, and some hold between their lips the tails of animals, signifying that they have scalped their enemies. Others show by their designs that they have stolen horses from enemies.