§ 126. These are similar to the armor gods, in that they are divinities who act as guardian spirits. Each of these powers is appropriated by a single individual, protecting and aiding him, and receiving his worship. These spirits are conferred at the time of initiation into the order of the Mystery Dance, and of course are confined to the members of that order.[128] Each spirit of the mystery sack is not a separate god, but a wakan power derived from the Unkteḣi, according to a later statement of Riggs.[129] TAKUŚKAŊŚKAŊ, THE MOVING DEITY. § 127. This is a form of the wakan which jugglers, so-called mystery men, and war prophets invoke. In their estimation he is the most powerful of their gods; the one most to be feared and propitiated, since, more than all others, he influences human weal and woe. He is supposed to live in the four winds, and the four black spirits of night do his bidding. The consecrated spear and tomahawk (see § 124) are its weapons. The buzzard, raven, fox, wolf, and other animals are its lieutenants, to produce disease and death.[130] (Compare this with some of the pictographs on the war chart of the Kansa tribe: Fig. 4, Wind songs; the connection between the winds and war is shown in § 33. Fig. 8, Deer songs. Fig. 9, an Elk song. Fig. 10, seven songs of the Wakanda who makes night songs. Fig. 11, five songs of the Big Rock. This is a rough red rock near Topeka, Kans. “This rock has a hard body, like that of a wakanda. May you walk like it.” Fig. 12, Wolf songs. The wolf howls at night. Fig. 13, Moon songs. Fig. 14, Crow songs. The crow flies around a dead body which it wishes to devour. Fig. 18, Shade songs. There is a Wakanda who makes shade. Fig. 20, song of the Small Rock. Fig. 22, songs of the young Moon. Fig. 23, songs of the Buffalo Bull. Fig. 27, Owl songs. The owl hoots at night.[131]) § 128. Miss Fletcher has given us a very interesting account of “The Religious Ceremony of the Four Winds or Quarters, as observed by the Santee Sioux.” “Among the Santee (Sioux) Indians the Four Winds are symbolized by the raven and a small black stone, less than a hen’s egg in size.” “An intelligent Santee said to me: ‘The worship of the Four Winds is the most difficult to explain for it is the most complicated.’ The Four Winds are sent by the ‘Something that Moves.’”[132] There is a “Something that Moves” at each of the four directions or quarters. The winds are, therefore, the messengers or exponents of the powers which remain at the four quarters. These four quarters are spoken of as upholding the earth,[133] and are connected with thunder and lightning as well as the wind.[134] * * * “My informant went on to tell me that the spirits of the four winds were not one, but twelve, and they are spoken of as twelve.”[135] (See § 42.) § 129. In Tah-koo Wah-kon, pp. 64, 65, Riggs says: