Short stories; United States -- Social life and customs -- 19th century -- Fiction
Like most of the Plainfield houses, that at which Mr. Morgan turned
in stood well back from the street. At a side window, still further
sheltered from view by a gyringa-bush at the house corner, sat a little
woman with a small, pale face, the still attractive features perceptibly
sharpened by years, of which the half-gray hair bore further testimony.
The eyes, just now fixed absently upon the dusking landscape, were light
gray and a little faded, while around the lips there were crow's-feet,
especially when they were pressed together, as now, in an unsatisfied,
almost pathetic look, evidently habitual to her face when in repose.
There was withal something in her features that so reminded you of Mr.
Morgan that any one conversant with the facts of his life-romance would
have at once inferred--though by just what logic he might not be
able to explain--that this must be Miss Eood. It is well known that
long-wedded couples often gain at length a certain resemblance in
feature and manner; and although these two were not married, yet their
intimacy of a lifetime was perhaps the reason why her face bore when in
repose something of that seer-like expression which communion with the
bodiless shapes of memory had given to his.
The latching of the gate broke up her depressing reverie, and banished
the pinched and pining look from her features. Among the neighbors Miss
Rood was sometimes called a sour old maid, but the face she kept for
Mr. Morgan would never have suggested that idea to the most ill-natured
critic.
He stopped at the window, near which the walk passed to the doorway, and
stood leaning on the sill,--a tall, slender figure, stooping a
little, with smooth, scholarly face, and thin iron-gray hair. His
only noticeable feature was a pair of eyes whose expression and glow
indicated an imaginative temperament. It was pleasant to observe the
relieved restlessness in the look and manner of the two friends, as if
at the mere being in each other's presence, though neither seemed in any
haste to exchange even the words of formal greeting.
At length she said, in a tone of quiet satisfaction, "I knew you
would come, for I was sure this deathly autumn's flavor would make you
restless. Is n't it strange how it affects the nerves of memory, and
makes one sad with thinking of all the sweet, dear days that are dead?"
"Yes, yes," he answered eagerly; "I can think of nothing else. Do they
not seem wonderfully clear and near to-night? To-night, of all nights
in the year, if the figures and scenes of memory can be reembodied in
visible forms, they ought to become so to the eyes that strain and yearn
for them."
"What a fanciful idea, Robert!"
Public-domain text, read in full here on John Shaqi.
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