World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
Directly opposite is the north-west corner of the square, with the
Palais de Justice on the right and the Hotel de Ville on the left.
Both date from the Spanish occupation, but they are very
different in their style of architecture. The first is classical and
severe, the second has all the warmth of the Renaissance. The
Hotel de Ville is an elaborately decorated building, with two
exquisite gables and a steep roof surmounted by a little
octagonal tower. The loggia below, standing out from the
building and supporting a balcony above, is perhaps its most
charming feature, both for the beauty of its proportions and the
delicacy of its carved stone balustrades. Inside, the rooms are
as they were three hundred years ago, and the wonderful
hangings of Cordova leather in the council chamber are still
intact. Beside the Hotel de Ville the straight lines of the Palais
de Justice, with its pillars and its high narrow windows, form a
striking contrast. It was here, in the large room on the first floor,
that the Inquisition held its awful court, and here were the
instruments of torture with which it sought to enforce its will.
Behind the Palais rises the tall belfry, a big square tower from
which springs an octagonal turret carrying an elaborate
campanile. There is a quaint survival on this belfry, for upon it
the town crier has a little hut. He is a cobbler, and from below
one can hear the tap-tap of his hammer as he plies his trade.
But at night he calls out the hours to the town below, together
with any information of interest, concluding with the assurance
that he and his wife are in good health. The office has
descended from father to son from the earliest days of the
history of Furnes, and its holder has always been a cobbler. Till
early in last November the record was unbroken, but, alas the
fear of German shells was too much for the cobbler, and he is
gone.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account