Furnes is a town of contrasts, and though both its churches were built by the wonderful architects of the fourteenth century, there could hardly be two buildings more diverse. Behind the line of red roofs on the east of the square rises the rugged tower of St. Nicholas, a great square mass of old and weather- beaten brick, unfinished like so many of the Belgian towers, but rough, massive, and grand, like some rude giant. On the north, behind the Palais de Justice and the belfry, stands St. Walburga, with the delicate tracery of her flying buttresses and her spire fine as a needle. There is something fitting in the rugged simplicity which commemorates the grand old Bishop, and in the exquisite fragility of the shrine of the virgin saint. The double flying buttresses of St. Walburga, intersecting in mid-air, and apparently defying the laws of gravity, are as delicate a dream as the mind of architect could conceive, and they give to the whole an airy grace which cannot be described. The church was planned six hundred years ago on a gigantic scale, in the days when men built for the worship of God and not for the accommodation of an audience, and for six hundred years the choir stood alone as a challenge to future generations to complete what had been so gloriously begun. Only seven years ago the transept was added, and to the credit of its builders it is worthy to stand beside the choir. One wonders how many hundred years may have passed before the vision of the first great architect is complete. It is built for the most part of red brick, the rich red brick of Belgium, which grows only more mellow with age. Inside, the tall pillars of a dark grey stone support at a great height a finely groined roof of the same red brick, lit by a clerestory so open that one wonders how it can carry the weight of the roof above. The tall windows of the transept, reaching almost from the floor to the roof, with their delicate tracery, carry on the same effect of airiness, while their light is softened by the really beautiful stained glass which they frame. The richly carved choir-stalls of dark mahogany and the fine organ furnish an interior of which any town in England might well be proud. And all this magnificence is in a little Flemish town of some six thousand inhabitants.