Free verse; Modernism (Literature); Poetry, Modern -- 20th century -- History and criticism
All this Gertrude Stein has understood and executed logically because
of the perfect simplicity of her mind. Believing implicitly in an
absolute, she has not been bothered to doubt the bodily presence of
a first principle in her own time. Since she is alive and everybody
around her seems to be alive, of course there is an acting first
principle, there is composition. This first principle provides a
theme for composition because there is time, and everybody, and the
beginning again and again and again, and composition. In her primitive
good-humour she has not found it necessary to trouble about defining
the theme. The theme is to be inferred from the composition. The
composition is clear because the language means nothing but what it
means through her using of it. The composition is final because it is
‘a more and more continuous present including more and more using of
everything and continuing more and more beginning and beginning and
beginning’. She creates this atmosphere of continuousness principally
by her progressive use of the tenses of verbs, by intense and
unflagging repetitiousness and an artificially assumed and regulated
child-mentality: the child’s time-sense is so vivid that an occurrence
is always consecutive to itself, it goes on and on, it has been going
on and on, it will be going on and on (a child does perhaps feel the
passage of time, does to a certain extent feel itself older than it was
yesterday because yesterday was already to-morrow even while it was
yesterday).
This is from Miss Stein’s _Saints in Season_:
Saint--
A Saint
Saint and very well I thank you.
Two in bed.
Two in bed.
Yes two in bed.
They had eaten.
Two in bed.
They had eaten.
Two in bed.
She says weaken.
If she said.
She said two in bed.
She said they had eaten.
She said yes two in bed.
She said weaken.
Do not acknowledge to me that seven are said that a
Saint and seven that it is said that a saint in seven
that there is said to be a saint in seven.
Now as to illuminations.
They are going to illuminate and everyone is to put into
their windows their most beautiful object and everyone
will say and the streets will be crowded everyone
will say look at it.
They do say look at it.
To look at it. They will look at it. They will say
look at it.
Public-domain text, read in full here on John Shaqi.
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